Tag Archives: Jai Morjaria

WHY AM I SO SINGLE?

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Garrick Theatre

WHY AM I SO SINGLE? at the Garrick Theatre

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“an incredibly fun, comedic and beautifully heart-warming show that everyone can enjoy”

Toby Marlow and Lucy Moss’s β€˜Why am I So Single?’ debuts in the West End, following the writers’ extremely successful β€˜Six’. This new musical cleverly follows a meta portrayal of the pair exploring the issues of their love life and by proxy their own personal issues. The two best friends – under the pseudonyms β€˜Nancy’ and β€˜Oliver’ – sit in Oliver’s flat after being given the task of writing their next big fancy musical, and after various discussions of their failed dates decide that’s what the musical should be about. Through the medium of many a big fancy musical number, the conclusion of their failed love lives is far more heart-warming than one would expect.

The show opens with its meta framing of the narrative, with the writers talking to us directly through the characters. They state that all stories in the show are based on true events but with all people given different names. Set designer Moi Tran and costume designer Max Johns deserve so much credit for the way the stage moves from having literal set pieces and then ensemble actors seemingly transition to replace them. This was extremely enjoyable to watch and added a lot of fantastic comedic elements – my favourite being whenever the leads interacted with the human rubbish bin. The whole design of the show makes you feel like you’re at a party throughout – with the lighting (Jai Morjaria) primarily being a mix of pink and purple washes that change in time with the music.

The performances throughout the show are stellar and every single cast member is extremely committed. The ensemble shine throughout in both their musical and comedic performances. A mention has to go to Noah Thomas who plays Artie – an extremely strong performance that showed care and empathy for the leads while also telling them the truth when they need to hear it. One of his numbers is also a fantastic tap routine and a great tap routine is always a pleasure to watch. But, of course, the stars of the show are Jo Foster as Oliver and Leesa Tulley as Nancy. Both are incredibly powerful artists and were a pleasure to watch on stage. Foster particularly shines in the number β€˜Disco Ball’, where they really are giving the audience everything and it’s such a privilege to be able to see such beautiful vulnerability on stage. Tulley’s performance also shows off her incredible vocal range and talent, and her solo β€˜Lost’ brought many people in the audience to tears.

One of my favourite numbers was β€˜Meet Market’ – not only a great song with fantastic routines on stage, but also great commentary on the dehumanising nature of dating apps. There were some songs that I felt weren’t necessary and took focus away from the main plotline. The main one I took issue with was a song about a bee, which seemingly is only in the show for the sake of one word play based joke. Unfortunate because two and a half hours already feels quite long for this show, so when the number played at the end of Act 1, I did begin to get quite restless.

β€˜Why am I So Single?’ is an incredibly fun, comedic and beautifully heart-warming show that everyone can enjoy. Musical theatre millennial fans will particularly enjoy the many show references and referrals to Friends. And with the West End musical scene sticking with its theme of even more movie musicals, it’s great to see something new and fresh bringing heart and soul into the theatre.


WHY AM I SO SINGLE? at the Garrick Theatre

Reviewed on 10th September 2024

by David Robinson

Photography by Danny Kaan

 

 

 

 

Previously reviewed at this venue:

BOYS FROM THE BLACKSTUFF | β˜…β˜…β˜… | June 2024
FOR BLACK BOYS … | β˜…β˜…β˜…β˜… | March 2024
HAMNET | β˜…β˜…β˜… | October 2023
THE CROWN JEWELS | β˜…β˜…β˜… | August 2023
ORLANDO | β˜…β˜…β˜…β˜… | December 2022
MYRA DUBOIS: DEAD FUNNY | β˜…β˜…β˜…β˜… | September 2021

WHY AM I SO SINGLE?

WHY AM I SO SINGLE?

Click here to see our Recommended Shows page

 

🎭 TOP REGIONAL MUSICAL 2024 🎭

BARNUM

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Watermill Theatre

BARNUM at the Watermill Theatre

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“it’s the songs and the thrill of the circus big top that makes this production sing”

Cy Coleman’s Barnum is a big, big-top musical in the small Watermill Theatre proving that size doesn’t matter, as this is a big bold production. The skillset of the company of 18 actor-musician / circus performers is outstanding and between them must have played over 100 different musical instruments.

The tale of P.T. Barnum the nineteenth-century impresario who sells the American dream with his β€œhumbug” to become the greatest showman – and like many after him, takes his sucker-deluding talents into politics.

Jonathan O’Boyle’s production is brilliantly conceived, even with Mark Bramble’s weak book as it flashes through Barnum’s colourful life – it’s the songs and the thrill of the circus big top that makes this production sing.

As the audience walk into the auditorium from the garden, where due to the inclement weather there had been a very brief pre-show; on stage we find just three acrobats warming up on their trapeze hoops. From the get-go the audience see beautiful shapes, spins and strength (circus director Amy Panter). With just the three performers the stage looked full and yet the next minute there were eighteen and it looked wonderful.

The pace of the choreography by Oti Mabuse is breath-taking, and the four key acrobatic dancers Emily Odunsi, AndrΓ© Rodrigues, Dan Holland and Kiera Brunton (who is a pocket rocket of talent) handle the space and the tightly performed routines with pure joy.

Matt Rawle in the titular role does everything right but it is hard to see any of the β€œattractions” that should make Barnum mesmeric. But the iconic scene when Barnum literally walks a tightrope towards his lover, he does with aplomb. This is a love triangle in soft-focus. Charity Barnum (Monique Young) invests more heart towards her errant husband, than might be written and sings with true love. Whilst Barnum’s lover, the opera star Jenny Lind he named the Swedish nightingale (Penny Ashmore), is sung beautifully in full soprano. The character has the best exit in the show as she is lifted and slowly spun on high – wearing a wonderful red creation with a very long train. Do watch out for Ashmore in the finale, as by then she is dancing on pointe, singing and playing the Irish harp!

In this production it is the amazing musical arrangements (Orchestrator and Musical Supervisor George Dyer) that win the day. The company literally manage to sing as they dance as they play the piccolo and in a breath swop to a double bass or run to play one of the two honkytonk pianos. Act Two starts with Tom Sowinski on solo sousaphone as the number ‘Come Follow the Band’ grows into a rousing song with full company marching choreographed moves whilst playing a plethora of brass and percussion instruments. Followed fast on its heels with the song ‘Black and White’ as colour literally bursts back onto the stage, as Barnum brings colour back into his life. Josh Barnett is the onstage musical director doing a fantastic job whilst juggling many musical instruments and several key roles in the show.

The costumes are perfect throughout and the theatre’s small proscenium stage is turned into a believable red, white and blue circus big top, all designed by Lee Newby. With colourful lighting design by Jai Morjaria, bringing it all to life.

A fun night out and certainly another hit for the Watermill Theatre who clearly know how to put on a big show.

 


BARNUM at the Watermill Theatre

Reviewed on 9th July 2024

by Debbie Rich

Photography by Pamela Raith

 


 

 

More shows we’ve reviewed at this venue:

MUCH ADO ABOUT NOTHING | β˜…β˜…β˜…β˜… | April 2024
THE LORD OF THE RINGS | β˜…β˜…β˜…β˜…β˜… | August 2023
MANSFIELD PARK | β˜…β˜…β˜…β˜… | June 2023
RAPUNZEL | β˜…β˜…β˜…β˜… | November 2022
WHISTLE DOWN THE WIND | β˜…β˜…β˜…β˜… | July 2022
SPIKE | β˜…β˜…β˜…β˜… | January 2022

BARNUM

BARNUM

Click here to see our Recommended Shows page