Aspects of Love
Reviewed – 10th January 2019
“The performances marvellously capture all the aspects of love that the libretto tries to convey”
Andrew Lloyd Webber’s “Aspects of Love” was met with a mixed reception when first written and produced in the eighties, and it is indeed one of his more curious affairs. Its own meandering inception and evolution seems to match the rather convoluted plot, based on the autobiography of David Garnett, Virginia Woolf’s nephew. Originally mooted as a film for which Webber and Tim Rice were to contribute some songs, it morphed into an unrealised collaborative cabaret with Trevor Nunn at the helm, before lyricists Don Black and Charles Hart came on board to help steer the vessel in some sort of definite direction. Sandwiched between “Phantom of the Opera” and “Sunset Boulevard” it probably suffered from a lack of focus and some have said it lost its way.
Katie Lipson has untangled the rigging in this revival, first produced last summer at the Hope Mill Theatre in Manchester, and put it well and truly back on track; also showing us that there is more to this musical than the hit song, “Love Changes Everything”. For there are some truly striking melodies which, by stripping the accompaniment back to just two pianos and percussion, are now allowed to shine through the otherwise lumbering sung-through dialogue.
The story begins with the character of Alex (Felix Mosse) who is looking back over his life. It then flashes back to 1947 when he fell in love with Rose Vibert (Kelly Price), the star of a touring acting company. The young Alex convinces the older actress to spend two weeks with him at his Uncle George’s unoccupied estate. When Uncle George (Jerome Pradon) returns unexpectantly and finds himself attracted to Rose, the complications begin. Complications not just for the characters within the story though; but for the producers too. The trick now is how to keep the audience engaged as the characters canoodle their way through the doodling plot, occasionally thrown off kilter by sudden shifts in time.
But Lipson has the Midas Touch when it comes to musical theatre and has once again assembled an impressively strong cast. The performances marvellously capture all the aspects of love that the libretto tries to convey. Jonathan O’Boyle’s confident direction allows the detail to be seen through the myriad scene and time changes. And if you don’t really care for the plot you certainly care about the characters.
Despite the heavy-handed feel of the piano accompaniment (which some tweaking on the sound desk could quickly cure) the vocal performances are beautiful and searingly moving. Mosse’s intimate yet unsentimental rendition of ‘Love Changes Everything’ is a delightful detour from the original, but the highlights of the show include Price’s heart rending ‘Anything But Lonely’ and Pradon’s understated opening to the Ivor Novello tinged ‘The First Man You Remember’.
But beyond this central love triangle is where the interest really lies. Madalena Alberto, as the free-loving Giulietta is compellingly watchable; Eleanor Walsh, as the fifteen-year-old Jenny, gives an assuredly mature performance that eschews the uncomfortable Lolita-style caricature that is often associated with the role. And Minal Patel, as actor manager Marcel, softly steals the smaller stage time he is allowed with his velvet voice.
It is a tricky show that explores perhaps too many variations on the theme of love. But it seems that this intelligent cast has picked one aspect, made it their own, and let it shine. Like the diamond in the mire, this clear-cut production lets the emotion glisten.
Reviewed by Jonathan Evans
Photography by Pamela Raith
Aspects of Love
Southwark Playhouse until 9th February
Last ten shows reviewed at this venue:
Final casting is today announced for the world première of a major new musical, “The Braille Legacy”, the thrilling, true, inspirational and epic story of Louis Braille, a young blind boy who wanted the same chance in life as those who see and ended up improving the lives of millions of blind people around the world.
It is being directed by acclaimed director Thom Southerland (”Ragtime”, “Titanic”, “Grey Gardens”, “Death Takes A Holiday”) and will première at Charing Cross Theatre (Artistic Director Thom Southerland, Managing Director Steven M. Levy) from Monday 10 April to Saturday 24 June.
Joining previously announced Olivier Award nominated Jérôme Pradon (West End credits include the UK premiere of the musical “Women On The Verge of a Nervous Breakdown”, Guillaume in “Martin Guerre”, Chris in “Miss Saigon”, Javert in “Les Miserables”, and Judas in the Emmy-winning video of “Jesus Christ Superstar”) are:
Jason Broderick (“Godspell” UK tour, “Anna Nicole – The Opera” Royal Opera House); Tate-Eliot Drew (“My Lands Shore” Ye Olde Rose N Crown Theatre); Will Haswell (“Jersey Boys” West End, Pinocchio in ‘Shrek the Musical” UK tour); Lottie Henshall (“Doctors” BBC1); Sarah-Marie Maxwell (“She Loves Me” Menier Chocolate Factory, “Top Hat” UK tour); Matthew McDonald (“Death Takes a Holiday” Charing Cross Theatre, “Allegro” Southwark Playhouse); Kate Milner-Evans (“Showboat” West End, Carlotta in “The Phantom of the Opera”); Janet Mooney (West End includes “Les Miserables” and “Love Never Dies”); Ceili O’Connor (“Grand Hotel” Southwark Playhouse, “Evita” UK tour); Michael Remick (West End includes “Dirty Dancing” and “The Sound of Music”); Ashley Stillburn (Corrado in “Death Takes A Holiday” Charing Cross Theatre, “The Phantom of the Opera” and “Les Miserables” West End); Jack Wolfe (is making his professional stage debut as Louis Braille); and a child cast featuring Guillermo Bedward, Thomas Brown, Tallulah Byrne, Beau Cripps, Ilan Galkoff, Honey Harrison-Maw, Eliz Hassan, Megan Haynes, Zachary Loonie, Mimi Slinger, Ophir Fifi Tal, William Thompson.
“The Braille Legacy” is the story of a revolution and an heroic fight for independence, with the themes of difference, freedom, hope and love and the triumph of human values over adversity.
In Paris in the 19th century, blind people were victims of profound discrimination. Louis Braille, a bright young mind with a mad dream, arrives at the Royal Institute of Blind Youth, searching for the same chance as everyone else: to be free and independent. But he soon discovers that people and things aren’t always what they first seem. By sheer determination and courage he stumbles upon something revolutionary: a simple idea, a genius invention, a legacy. Two hundred years ago, Louis Braille changed the world by inventing the tactile system of communication, the Braille alphabet, liberating the “People of the Night” and introducing literacy, knowledge and culture to a people who were otherwise trapped. It was their journey into the light.
“The Braille Legacy” has an original French Book and Lyrics by Sébastien Lancrenon, Music by Jean-Baptiste Saudray, with an English translation by Ranjit Bolt. Music Supervision and Orchestrations are by Simon Lee.
The full creative team is: Director: Thom Southerland, Music Supervision and Orchestrations: Simon Lee, Musical Director Toby Higgins, Choreographer Lee Proud, Set Designer: Tim Shortall, Lighting Designer Tim Lutkin, Costume Designer: Jonathan Lipman, Sound Designer: Andrew Johnson, Casting: Stephen Crockett at Grindrod Casting, Children’s Casting: Jo Hawes, Music Preparation: Simone Manfredini, Associate Director Rupert Hands.
The Braille Legacy Ltd by arrangement with
Colbert Entertainment Ltd present
The Braille Legacy
Monday 10 April to Saturday 24 June
Monday – Saturday at 7.30pm
Matinees Wednesday at 2.30pm
and Saturday at 3.00pm
Saturday 27 May at 3.00pm
Monday 29 May at 7.30pm
Premium seats £39.50
Premium seats are best stalls locations,
and include a programme and a glass of
London WC2N 6NL