Tag Archives: Joseph Dunitz

GUYS & DOLLS

★★★★★

Bridge Theatre

GUYS & DOLLS at the Bridge Theatre

★★★★★

“Hytner’s production is a thrilling experience full of surprises”

Guys & Dolls has been playing at the Bridge Theatre since March 2023 in Nicholas Hytner’s reimagined production which turns the 1950s Broadway musical into full-on immersive production. Its final cast change before its announced closure in January sees Gina Beck taking over as Sarah Brown, also joined by Michael Simkins as Arvide Abernathy. They join members of the previous cast include Owain Arthur, Timmika Ramsay and Jonathan Andrew Hume, as Nathan Detroit, Miss Adelaide and Nicely-Nicely Johnson, respectively.

If you’re not familiar with the story beyond the parody in The Simpsons, it follows Nathan Detroit’s illegal floating crap game, which he hides from financée of 14 years Miss Adelaide. When Detroit places a bet with gambler Sky Masterson that he must take a woman of Detroit’s choosing to Havana, Masterson (George Ioannides) has to try and impress leader of the Save-a-Soul mission, Sarah Brown. What follows is two side-by-side relationship stories alongside visits to the Hotbox nightclub where Adelaide performs.

Hytner’s production is a thrilling experience full of surprises. Half the audience are stood on and around Bunny Christie’s set which sees stage pieces rise and fall for scenes to be played on before the action quickly moves somewhere else. The work of the stage management team in this production is a feat in itself, as they usher audiences around the moving set pieces, bringing on street lamps, staircases, and even at one moment managing to catch the underwear thrown offstage by the Hotbox dancers.

Having seen the original cast, the newcomers have a lot to live up to, and they absolutely make this show and the roles their own. Ramsay is electric as Miss Adelaide. With expansive vocals, she tears the stage apart with “A Bushel and a Peck”, in a number which is sexy, playful, and shows off a star performance. She brings great comedy to “Adelaide’s Lament” and the rapport with co-star Arthur is sharp and fiery, particularly in their second act duet “Sue Me”, which plays the line between lust and frustration to perfection.

Gina Beck follows previous leading lady roles, including Glinda in Wicked and, more recently, Maria in Chichester’s production of The Sound of Music last year. She is very held together as Sarah Brown before letting her hair down and spinning around lamp posts in “If I Were a Bell”, thanks to Arlene Phillips and James Cousin’s choreography. Her voice has gorgeous, crystal-clear operatic tones. She plays against Ioannides, who also returns to the show, and their verision of “I’ve Never Been in Love Before” is a total delight. Likewise, Simkins’ rendition of “More I Cannot Wish You”, which he sings to Beck, has a real sense of warmth and wisdom which is very touching.

The best number of the show though is saved for Nicely-Nicely Johnson, and is perhaps the best known number “Sit Down, You’re Rockin’ the Boat”. Quite hilariously, the number serves very little plot purpose, other than being a distraction so the General doesn’t cotton on to schemes of the crap game players. Cedric Neal received an Olivier Award nomination for originating this role, so again big boots to fill. Hume is fantastic. His Nicely-Nicely is warm, engaging and a little bit cheeky and he looks like he’s having the absolute time of his life performing this number, which in turn lets the audience have a great time as well. The crowd cheer as he encourages the orchestra to give him an encore and the whole room gets involved clapping along.

If you’re going to revive a 70-year-old musical which is, let’s be honest, rather dated in its plot, then this is the way to do it. It never tries to say ‘this is now’ but instead unapologetically transports us to a different time altogether and gives us an evening of thorough entertainment.

Guys & Dolls plays at the Bridge until January so if you haven’t yet made it along to this 5-Star production make sure that you do. There’s nothing else quite like it!


GUYS & DOLLS at the Bridge Theatre

Reviewed on 9th September 2024

by Joseph Dunitz

Photography by Manuel Harlan 

 

 

 


 

 

 

 

 

Previously reviewed at this venue:

GUYS & DOLLS | ★★★★★ | March 2024

Guys

Guys

Click here to see our Recommended Shows page

 

A JAFFA CAKE MUSICAL

★★★★

Edinburgh Festival Fringe

A JAFFA CAKE MUSICAL at the Edinburgh Festival Fringe

★★★★

“It’s a very fun, very silly hour of musical comedy that’s super self-aware and makes the most of this”

Following their previous musical hits Timpson: The Musical and RuneSical, Gigglemug Theatre are back, this time with a musical based on one of the nation’s favourite biscuits… sorry, I mean cakes. This musical comedy uses the real-life case of the 1991 tribunal in which HMRC took Jaffa Cakes to court, claiming that they needed to pay VAT as the product is a biscuit, not a cake (which are exempt from this particular tax). It’s actually a pretty interesting court case, which you can read all about online. But if a musical is more your thing, then definitely make sure to catch this one.

Kevin (Sam Cochrane) is a lawyer, having disappointed his parents who wanted him to pursue a career as a musical theatre performer (a running gag in the show). He’s the defence in this case, up against Katherine (Sabrina Messer) as the prosecution. The task is simple: Kevin has to convince the judge (Alex Prescot, also on keys) that the Jaffa is in fact a cake, not a biscuit. On the way, he has to battle with the presence of the evil Tax Man, played by the utterly hilarious Katie Pritchard.

The songs are super upbeat, starting with the fabulous opening where the cast belt out ‘Is it a cake or is it a biscuit?’. The silliness is very much there from the start, as the actors come on wearing brown and orange costumes, on a set that is fully painted in Jaffa-cake branded colours. There’s a really nifty set design from Lauren Jones with three semi-circular set pieces which are used to setup the court and then moved around in one number to create different shapes, with a very clever use in the final scene that I shan’t spoil (although you may be able to guess!).

The lyrics (also by Sam Cochrane) are witty, playful and downright silly, with lines like ‘What if I wind up dead? / What if I crap the bed’ setting the general comic tone of the whole show. The standout song comes from Pritchard, who sings about being the ‘Tax Man’, a deliciously dark and funny villain number with some incredible riffs. The songs are matched with quirky choreography in Ali James’s production which gives a zany cartoonish type quality to the characters that’s a lot of fun to watch.

There’s also a surprising amount of heart in this story. I don’t know if it’s just the fringe-fatigue, but the show gets proper emotional at the end, with the cast singing out ‘If a cake can be a biscuit, you can be anything’. Who would’ve thought a musical about Jaffa Cakes would give me goosebumps? As well as the standout performance from Pritchard, Prescot shows off his multi-talented skills, playing the Judge and other supporting characters to great comic effect, whilst also on keys for most of the show.

It’s a very fun, very silly hour of musical comedy that’s super self-aware and makes the most of this. A great pick for a day at the Edinburgh Fringe.

 

A JAFFA CAKE MUSICAL at the Edinburgh Festival Fringe – Pleasance Courtyard – Courtyard Two

Reviewed on 17th August 2024

by Joseph Dunitz

Photography by Ben Wilkin

 

 


A JAFFA CAKE MUSICAL

A JAFFA CAKE MUSICAL

CLICK HERE TO SEE ALL OUR REVIEWS FROM EDINBURGH 2024