Tag Archives: Mark Douet

Rosenbaum's Rescue

Rosenbaum’s Rescue
★★★★★

Park Theatre

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Rosenbaum's Rescue

Rosenbaum’s Rescue

Park Theatre

Reviewed – 15th January 2019

★★★★★

 

“a joyous four-hander with deeply nuanced characters and a master’s eye for pace, plot and humour”

 

Can history change? Our understanding of it certainly can. One little piece of information, one small scrap of evidence, can shift the whole narrative. In the case of ‘Rosenbaum’s Rescue’, it is the Danish occupation in 1940 and subsequent ‘rescue’ (or ‘flight’) of Danish Jews across the Øresund to Sweden that comes into question. How important are the myths we create for ourselves? What traces of history do we let steer out lives in the future?

William Fricker’s gorgeously wooden design places the action in a Danish country house that puts IKEA catalogues to shame. As light glides in through the skylight above, married couple Abraham (David Bamber) and Sara (Julia Swift) are preparing for a visit from their son Henrik. Before he arrives, old friend (and lover) Lars (Neil McCaul) arrives with German daughter Eva (Dorothea Myer-Bennett) to interview Abraham for a book he is writing on Danish resistance. Snow and a power cut keep the group together longer than planned, and as Danish history gets uncovered, there are more family secrets waiting around the corner.

A. Bodin Saphir has constructed a joyous four-hander with deeply nuanced characters and a master’s eye for pace, plot and humour. It’s a witty and erudite production that, despite its naturalistic and restricted setting, bounds with energy, is stunning to look at, and keeps you guessing until the end. Who is Henrik’s real father? What exactly was Abraham’s relationship to Lars’ father? As the pieces of each person’s history fall into place, we understand the depth of the relationships on display. Bamber plays the put-upon husband well, and the history between him and Lars is self-evident in how the actors interact. Myer-Bennett provides much appreciated cynical wit (as well as her own ‘dramatic’ reveal) and Swift counsels and advises her way through it all. “Come and help me in the kitchen” becomes her catchphrase to create space and give her two cents worth.

Kate Fahy has done a stunning job with direction. Moments of busy action keep the piece moving, but even in stillness, the ensemble keep the audience well in their grasp. Family drama has never been so gripping. ‘Rosenbaum’s Rescue’ is a show with heart, spirit, and style and ought not to be missed, especially for anyone with a passing interest in new perspectives on a war we all think we know well.

 

Reviewed by Joseph Prestwich

Photography by Mark Douet

 


Rosenbaum’s Rescue

Park Theatre until 9th February

 

Last ten shows reviewed at this venue:
The Rise & Fall of Little Voice | ★★★★ | August 2018
Distance | ★★★★ | September 2018
The Other Place | ★★★ | September 2018
And Before I Forget I Love You, I Love You | ★★★★ | October 2018
Dangerous Giant Animals | ★★★ | October 2018
Honour | ★★★ | October 2018
A Pupil | ★★★★ | November 2018
Dialektikon | ★★★½ | December 2018
Peter Pan | ★★★★ | December 2018
The Dame | ★★★★ | January 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Awful Auntie
★★★½

Bloomsbury Theatre

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Awful Auntie

Bloomsbury Theatre

Reviewed – 12th December 2018

★★★½

“for the book’s fan base it is no doubt a delight to see the antics brought to the stage with imagination and charm”

 

Stella Saxby, 12-year-old heir to Saxby Hall, awakens bound in a bed at the will of her awful Auntie Alberta. Told that her parents were killed in a tragic car accident, all is not what it seems when auntie suspiciously mentions the ‘deedly weedlies’ for Saxby Hall.

David Walliams’ best selling book is brought to life by Birmingham Stage Company and the talented adapter and director, Neal Foster. With all the mischief and mayhem of Dahl’s Matilda, Awful Auntie is a dark comedy-thriller, with the mood captured perfectly in Jackie Trousdale’s marvellous staging. The gothic set features spectacular rotating turrets made for giddy chases in and out of rooms and chimneys. Puppets are creatively used throughout the play, crossing the expansive grounds of Saxby Hall to evoke the exhilarating sense of adventure of Walliams’ book. Wagner the Bavarian Owl is an exceptionally-made puppet, artfully managed by Roberta Bellekom.

Georgina Leonidas plays the resilient Stella with youthful energy and vigour. Despite her captivity and the fatal loss of her parents, Stella is rather unemotional which could explain the sense that something is missing throughout the show to make the audience really root for her. The lack of emotion becomes particularly apparent with the out of place class moral wedged on the end of the play. Despite this, scenes between Leonidas and the cockney ghost chimney sweep, Soot, have a playful innocence all set to the background of Jak Poore’s atmospheric score. The endearing, wide-eyed Soot is played humorously by Ashley Cousins, who previously starred in Gangsta Granny.

Awful Auntie Alberta (Richard James) is a Miss Trunchbull character with a sizeable dash of pantomime dame. The shrill dame voice is slightly grating in an overly-wordy opening scene that sadly falls flat. Fortunately, poo and trump gags win the young audience’s attention. The second act livens up with slapstick humour and a more villainous Awful Auntie appearing. The electrocution chamber that Stella is locked in feels slightly inappropriate but luckily only parents and not their children seem concerned about it.

Awful Auntie doesn’t quite follow in the footsteps of Gangsta Granny but for the book’s fan base it is no doubt a delight to see the antics brought to the stage with imagination and charm.

 

Reviewed by Beth Partington

Photography by Mark Douet

 


Awful Auntie

Bloomsbury Theatre until 6th January

 

 

 

Click here to see more of our latest reviews on thespyinthestalls.com