Tag Archives: Matt Crockett

MAISIE ADAM – APPRAISAL

★★★★

UK Tour

MAISIE ADAM – APPRAISAL at the Tyne Theatre & Opera House

★★★★

“a welcomingly confrontational and awkward evening of stand-up with a bit of something for everyone”

On the biggest night of her new tour, Maisie Adam presents a raucous night of heckling the audience right back, and journeying through the humour in everything, from coil “re-fittings”, awful gameshow appearances, and the class politics of wild water swimming in Brighton.

A rising TV favourite, Adam is a talented comedian who is hell-bent on providing both an “accurate” and “detailed” set (if she has learnt anything from mishearing previous hook-ups or gigging in Sweden). Appraisal takes the audience through a review of Adam’s current life, career, and relationship statuses, with punchlines that keep the crowd on side from start to finish. We are treated to a review of Adam’s state of being in comedy – with a closing segment dissecting the age-old question of what it’s like to be a woman in comedy. Adam’s reckons it’s much like being any other woman, performing odd rituals and actions to keep safe on a walk home, and syncing periods with the closest women around you (in this case, Adam’s front row at the Tyne Theatre and Opera House). Although this section of the set feels a bit out of nowhere, it did well to keep the laughs rolling through the audience.

The first act features Adam’s skilful crowd work, warming everyone up to what is essentially a slagging off with an audience. Be warned not to sit in the box at any future tour dates at beautiful proscenium-arched venues, you may be unwillingly entered into a “who is posher” contest, and it will, in fact, be hilarious for everyone involved, but you. It is a true joy to watch Adam’s improvised crowd-work in action, as she turns vague responses into weapons against punters before they can whoop overenthusiastically for the name of the city they travelled to Newcastle from. Adam’s is brilliant at rolling with the oddities of her audience and playing to the strangeness of their behaviour and responses. A particular shoutout must go to the gentleman in the front-row who very obviously legged it at the first brief mention that there might be an interval coming up. Adam’s dealt with him with a hilarious level of disbelief and we relished in the “fair enough” attitude the brilliantly timed awkward moment produced.

After the interval, Adam’s gives herself some feedback (good and bad) on how her life is going, along with astute and hilarious observations on the absurdity of being in your late twenties/early thirties and being surrounded by your oddly grown-up school friends who are still kids at heart, along with your parents who desperately need a quick word on their peculiar use of emojis. We are also treated to a very funny whistle stop tour of Adam’s treacherous gameshow features and cameos, from being a contestant on The Chase, to claiming an embarrassing level of obscurity on Pointless, as an answer.

For the most part, Adam’s lands blow after blow of hilarious self-deprecating jokes, and creates an atmosphere that will have everyone grinning from ear to ear (whether you are a middle-aged dad with a flip-phone case or one of Adam’s many younger lesbian fans). Maisie Adam’s: Appraisal is a welcomingly confrontational and awkward evening of stand-up with a bit of something for everyone. This show deserves all the praise it gets.

 


MAISIE ADAM – APPRAISAL at the Tyne Theatre & Opera House then UK Tour continues

Reviewed on 6th October 2024

by Molly Knox

Photography by Matt Crockett

 

 


 

 

Previously reviewed by Molly:

CRYING SHAME | ★★★★★ | EDINBURGH FESTIVAL FRINGE | August 2024
IS THE WI-FI GOOD IN HELL? | ★★★★★ | EDINBURGH FESTIVAL FRINGE | August 2024
MY MOTHER’S FUNERAL:THE SHOW | ★★★★★ | EDINBURGH FESTIVAL FRINGE | August 2024
TIT SWINGERS | ★★★★ | EDINBURGH FESTIVAL FRINGE | August 2024

MAISIE ADAM

MAISIE ADAM

Click here to see our Recommended Shows page

 

THE PLAY THAT GOES WRONG

★★★★★

Duchess Theatre

THE PLAY THAT GOES WRONG at the Duchess Theatre

★★★★★

“May it enjoy 10 more years of destroyed sets and injured cast members!”

The Play That Goes Wrong celebrates its 10th anniversary this year making it the 28th longest-running show on the West End. Conceived by the Mischief Theatre Company, which has gone on to have numerous ‘Goes Wrong’ successes with their winning formula, The Play That Goes Wrong has been seen by just shy of 1,660,000 people since it first premiered on the West End stage in 2014. Though, it is perhaps more aptly to measure in disaster statistics – its 106 actors have been hit 125,000 times and the audience subjected to over 11,000 minutes of looped dialogue.

For those unaware of the smash hit, the play follows the plucky young members of The Cornley Polytechnic Drama Society as they try to put on a performance of an Agatha Christie style murder mystery called The Murder at Haversham Manor. Whilst the group’s performance is introduced by the already exasperated Chris Bean (Daniel Fraser), the in-show Director-cum-Stage Designer-cum-Prop Maker-cum-Any other role that you can think of, we see the state management team frantically trying to repair the stage and find a dog that has run off. A clear sign of what mayhem is to come!

And the play’s name couldn’t be more apt – everything really does go wrong. From the set falling apart, actors being knocked out, injuries to all manner of body parts, looped dialogue, misused props, breaking the fourth wall, cast squabbles, and even drinking white spirit – the cast cannot catch a break! Much hilarity ensues however from the cast pressing on no matter what – never deterred, even when they may be gripping on for dear life to a slipping desk on a falling ledge.

The performance’s cast cannot be faulted – they all bring a great vibrancy and humour to their roles, both as the student actors and their Haversham Manor counterparts. Most notable are Daniel Anthony as the adorably stumbling butler Perkins and Jay Olpin as the over-enthusiastic Cecil Haversham who has the perfect cheeky grin and comic movements for the role.

As this was the 10th anniversary performance, the audience was also treated to cameos from some of the original cast members as well as writer Jonathan Sayer. There are also the characteristic fourth wall breaks such as Robert Grove as Thomas Colleymore (Owen Jenkins) questioning why anyone would have a Duran Duran CD in 2024.

The set is brilliantly constructed. Its fluidity is highly impressive – the audience is continually surprised by what can and cannot be moved. Pyrotechnics are also used for some added flare. There is a working lift (until it goes up in smoke) and two floors whose failings lead to some of the play’s funniest scenes.

There is some reliance on recurring bits that in a few instances get old. The various characters drafted in to play Lady of the Manor Florence Colleymore are all knocked out at least once and fight incessantly amongst each other. Characters never leave the stage quickly – always doing a slow turn to the audience before exiting. Some more variety here would be particularly welcome – it is hilarious when the deceased Charles Haversham (Alex Bird) attempts to drag himself offstage without the audience noticing. More audience participation would also be welcome – Fraser responds excellently to an audience member who shouts out a minor spoiler during the famous ledger scene: “Do you have any idea how important this night is!?” he cries.

There is no doubt as to why this play has had such longevity. The setting and its hammed-up characters are instantly recognisable – the conventions to be broken and exaggerated immediately apparent. The slapstick is Fawlty Towers-esque – the frustration of the cast’s keener thespians growing and growing as the play’s chaos continues to mount. The show is also a lot of fun – humour is derived from wit as much as a sudden violent clash – and the set and in-show stage management team add a further playfulness. This is a show unafraid to show the ridiculous and the absurd behind the scenes of putting on a performance, and the audience could not be more appreciative.

Whether you are a fan of slapstick or not, you cannot help but have fun at The Play That Goes Wrong. May it enjoy 10 more years of destroyed sets and injured cast members!


THE PLAY THAT GOES WRONG at the Duchess Theatre

Reviewed on 10th September 2024

by Flora Doble

Photography by Danny Kaan

 

 

 

 

 

 

 

More reviews from this month:

REBUS: A GAME CALLED MALICE | ★★★ | CAMBRIDGE ARTS THEATRE | September 2024
THE GATES OF KYIV | ★★★★ | THEATRE ROYAL WINDSOR | September 2024
BALLET NIGHTS 006: THE CADOGAN HALL CONCERT | ★★★★ | CADOGAN HALL | September 2024
AN INSPECTOR CALLS | ★★★★ | ALEXANDRA PALACE | September 2024
VITAMIN D | ★★★★ | SOHO THEATRE | September 2024
THE BAND BACK TOGETHER | ★★★★ | ARCOLA THEATRE | September 2024
THE BOYS FROM SYRACUSE | ★★★ | UPSTAIRS AT THE GATEHOUSE | September 2024
MUCH ADO ABOUT NOTHING | ★★★★ | THE RED LION | September 2024
GUYS & DOLLS | ★★★★★ | BRIDGE THEATRE | September 2024
23.5 HOURS | ★★★ | PARK THEATRE | September 2024

THE PLAY THAT GOES WRONG

THE PLAY THAT GOES WRONG

Click here to see our Recommended Shows page