Tag Archives: Sebastien Torkia

THAT BASTARD, PUCCINI!

★★★★★

Park Theatre

THAT BASTARD, PUCCINI!

Park Theatre

★★★★★

“Do not miss this show – it is a masterpiece”

What does it mean to be an artist? Is it an occupation or a way of life? In James Inverne’s triumphant new play, That Bastard, Puccini! (directed by Daniel Slater), we meet two great Italian composers of the 19th century and get an insight into what might have been their motivations – and sacrifices – to not only create, but to be crowned the best. The result is a witty and deeply moving piece of theatre that celebrates artistry.

Puccini (Sebastien Torkia) and Leoncavallo (Alasdair Buchan) live in Milan at a time when composers are all trying to claim the spot as “the new Verdi”. When Puccini filches Leoncavallo’s idea to write an opera inspired by Henri Murger’s novel Scènes de la vie de Bohème (Scenes of Bohemian Life), they enter a public race to see who can complete their opera first in what will later be known as the “Battle of the Bohèmes”. What’s remarkable about this show is how seamlessly the text, directing, design and acting work together to establish a unique mode of performance. The characters themselves know they are in a play to present significant moments from the rivalry to the audience. It’s a bold but brilliant choice by Inverne and Slater, supported with beautiful costume and set by Carly Brownbridge and exquisite lighting by Katy Morison. Here, the stage becomes a space that deposits the composers’ public competition alongside their private pressures.

The show starts in a living room with an enraged Leoncavallo telling his wife, Berthe (Lisa-Anne Wood) that Puccini has stolen his idea. Under a bright spotlight, Puccini enters to eavesdrop on their discussion and occasionally offer his own input to the audience – Leoncavallo and Berthe cannot see him. Puccini barks protests and throws his hands up in defence to the audience until Leoncavallo turns to greet him and the spotlight on Puccini goes off – NOW he has entered the room. And the sweeping destruction of the fourth wall continues. A great moment is where Puccini turns to Berthe and asks her to momentarily play his wife. “There are only three of us! Then you can go back to being Berthe.”, Puccini urges her. Through similar dramatics, the characters present other key players in the story. Torkia is mesmerising as Puccini. He is deliberate with every look, gesture and spoken word. He turns the simple act of sitting down into a grand event with the sharp flick of his coat tails and tenacious crossing of the legs.

The living room is a storytelling apparatus where multiple spaces can exist at once. The actors rearrange furniture to create a café or high street, supported with a smooth shift in sound (Yvonne Gilbert). The red curtain doubles as the proscenium arch of an opera house. And Puccini and Leoncavallo often shoo each other away from the piano with a sarcastic “Do you mind?”. The intention behind setting all the exterior spaces against the domestic backdrop of a living room visually reinforces how the artists’ rivalry invited trouble into their home lives. With the time crunch, you can feel their urgency throughout. For one composer, the race is thrilling – something he can feed off to create his music. For the other, it’s a potential career disaster. Both artists will persist. As Puccini repeatedly says, “The art always comes first”.

That Bastard, Puccini! is a thoughtful play that captures the thrills and challenges of the creative process. It is an existential exploration of how artists can be consumed by their work and what they are willing sacrifice to become one of the greats. Do not miss this show – it is a masterpiece.



THAT BASTARD, PUCCINI!

Park Theatre

Reviewed on 15th July 2025

by Lara van Huyssteen

Photography by David Monteith-Hodge

 

 


 

Last ten shows reviewed at this venue:

OUR COSMIC DUST | ★★★ | June 2025
OUTPATIENT | ★★★★ | May 2025
CONVERSATIONS AFTER SEX | ★★★ | May 2025
FAREWELL MR HAFFMANN | ★★★★ | March 2025
ONE DAY WHEN WE WERE YOUNG | ★★★ | March 2025
ANTIGONE | ★★★★★ | February 2025
CYRANO | ★★★ | December 2024
BETTE & JOAN | ★★★★ | December 2024
GOING FOR GOLD | ★★★★ | November 2024
THE FORSYTE SAGA | ★★★★★ | October 2024

 

 

THAT BASTARD

THAT BASTARD

THAT BASTARD

DRACULA, A COMEDY OF TERRORS

★★★★

Menier Chocolate Factory

DRACULA, A COMEDY OF TERRORS

Menier Chocolate Factory

★★★★

“the air is thick with mischief and the sense of fun that this insanely talented troupe bring to the stage is enough to win us over”

‘Transsexual Transylvaniaaa-a-a!’ comes to mind the moment James Daly’s lace-and-leather-clad, midriff-baring Dracula makes his flamboyant entrance onto the stage. But it’s a riff that’s half a century old. So the writers, Gordon Greenberg and Steve Rosen, need something more saucy to dollop onto the old frank-n-furter. It’s safe to say, thankfully, that they’ve dished up the magic ingredients – hundreds and thousands of them in fact, sacrilegiously scattered all over Bram Stoker’s gothic masterpiece. It’s the theatrical equivalent of popping candy, that fizzles in your mouth and leaves you giggling with effervescent joy. Chuck in some camp, gender-swapping, costume-changing, character-bending humour; a touch of gore, and rapid-fire one-liners and you eventually arrive at the imperfect feast that is “Dracula, A Comedy of Terrors”. Faithful(ish) to Bram Stoker’s original, it still takes succulent chunks of the story’s flesh and regurgitates it dripping with frivolity. As the writers themselves have said of the novel: ‘anything that takes itself that seriously is a prime target for satire’.

As the houselights fade, we are plunged into a cacophony of darkness and noise, rather like entering a ghost train at a fairground. Tijana Bjelajac’s shadowy set reflects this kind of clubland-meets-circus atmosphere, while Tristan Raine’s costumes blend Victoriana with novelty, giving hints of steampunk. Clever use of props and puppets add to the magic, while the many costume changes are acrobatic feats – one in particular drawing its own round of applause. But the main attraction is the juggling act in which the cast of five play a whole horde of madcap characters.

Little time is spent in Transylvania itself. Jonathan Harker (a wonderfully goofy and uptight Charlie Stemp) rocks up at Dracula’s castle to clinch a lucrative property deal with the count. James Daly’s Dracula is the archetypal image of the narcissistic Rock Star – money and sex on tap but still wanting more. The sexual tension between him and Harker is palpable, until Dracula diverts his bloodthirsty attentions onto Harker’s fiancé, Lucy. By now we are back in Whitby, not exactly the kind of seaside town you have in mind for a queer pilgrimage. Dracula meets his match with the array of kooky individuals he comes up against. Safeena Ladha is headstrong and assertive as Lucy. Her rather downtrodden sister, Mina, is played by Sebastien Torkia, complete with ginger wig and ruffled ballgowns. Dianne Pilkington is their father, Dr. Westfield, who has turned their house into a live-in retreat for society’s oddballs (all played with a vaudevillian hilarity by them all).

You know the story, and how it ends. It’s the treatment that stands out. Co-writer Greenberg also directs, his hand visibly cracking the whip to keep the pace as frenetic as the lunacy. After the initial set-up, however, the humour is relatively conventional. More panto than subversive. The melodrama is kicked to the rafters even if some of the jokes don’t aim quite so high. But the air is thick with mischief and the sense of fun that this insanely talented troupe bring to the stage is enough to win us over. It is all very silly and chaotic, but delivered with precision and comic timing you could die for. But it doesn’t quite draw blood. It is more like a love-bite than a sharp set of fangs puncturing our skin. Then again – that’s probably a good thing. Definitely worth staking out.



DRACULA, A COMEDY OF TERRORS

Menier Chocolate Factory

Reviewed on 18th March 2025

by Jonathan Evans

Photography by Matt Crockett

 

 


 

 

Previously reviewed at this venue:

THE PRODUCERS | ★★★★★ | December 2024
THE CABINET MINISTER | ★★★★ | September 2024
CLOSE UP – THE TWIGGY MUSICAL | ★★★ | September 2023
THE THIRD MAN | ★★★ | June 2023
THE SEX PARTY | ★★★★ | November 2022
LEGACY | ★★★★★ | March 2022
HABEAS CORPUS | ★★★ | December 2021
BRIAN AND ROGER | ★★★★★ | November 2021

 

 

DRACULA

DRACULA

DRACULA