★★★★★

“It’s well crafted and oddly moving, with a flair for the occult.”

The Remarkable Ben Hart deserves many remarks. Probably remarks like ‘wow’, ‘I can’t work out how he does it’, ‘maybe magic is real’, or in the case of my sister: ‘please stop telling me about this show, I’m already feeling really existential and this is so unsettling it might tip me over the edge’

Ben Hart is very remarkable (good-looking too). He’s a magician but calling him merely a magician feels a little uninspired; he’s a wizard, really. Hart mocks science with his magic, though I am loath to divulge any significant details of his act as that would spoil some of the mastery. That being said, Hart’s tricks defy gravity so many times that both Isaac Newton and Elphaba must be absolutely fuming right now.

A magician is a performer as much as he is a man of magic. And Ben Hart knows this; his command of magic is matched by his command of the stage and room. He’s charismatic, easily holding the attention and admiration of a naturally sceptical crowd, praying for some small slip up spelling his demise (maybe that’s an exaggeration, but a magician’s audience is not a forgiving one). Also, he’s funny. His job isn’t terribly dissimilar to that of a comedian, and in both his scripted work and his audience work, Hart’s chaotic humour is excellent. Engaging with the audience is necessary in order to counter their scepticism and Ben Hart is clearly adept at doing so. He’s charming and open. So at one is he with audience that by the show’s second half, he has adopted the role of a psychic. Except you feel less like you’re being scammed and more metaphysical baffled.

Naturally, a magic show is not one necessarily steeped in narrative. Yet, the piece is artfully constructed, enhanced further with its notes of mysticism. Hart weaves discussions of lucid dreams and surreal dreamscapes into his script. It’s well crafted and oddly moving, with a flair for the occult.

He’s successful for a reason, and now he’s doing a UK tour. His act is so surreal, so seemingly impossible, so mesmerising, you’d be ever so silly to miss it. Go seek him out and support some real-life wizardry.

GREASE: THE IMMERSIVE MOVIE MUSICAL

Evolution London

★★★★

“Slick, is an understatement”

It was only a matter of time before the global production phenomenon that ‘Secret Cinema’ has become turned its hand to “Grease”. Nearly fifty years old, the musical romantic comedy has managed to avoid the criticisms of it not aging well, mainly due to the fact it was never meant to be taken seriously. Along with ‘The Rocky Horror Show’, it has probably been the subject of the most ‘sing-along’ outings in every town around the world – and the immersive extravaganza currently in Battersea Park is, essentially, a giant version of this joyous participatory experience. But so much bigger, better and more fun, with some mind-blowing technical wizardry going on. The backstage crew must be running a marathon each night to ensure every element falls into place. They are evidently working like greased lightning as the result is as slick and synchronised as the T-Birds’ Ford De Luxe convertible.

So, welcome to 1959. Welcome back to High School. More specifically, welcome to Rydell High. It’s the beginning of a new year. The holiday atmosphere follows us up to the school gates thanks to a fairground being right outside. Get there early as the queues for the rides and the hotdog stands, and the bars are authentically long. Otherwise just wallow in the gloriously innocent fifties feel-good atmosphere. On a giant screen the opening sequence from the movie heralds the start of the show. The school bell rings out and we are ushered into the school hall – i.e. the massive event venue that is Evolution London. We wander round like at a trade fair or a con event, sometimes a bit lost. Staff are on hand to tell us where we can and cannot go. Various stages depict the many locations – the school gym, the beauty school, the Autoshop, the National Bandstand, the Drive-In, the diners – while many screens project the original movie in real time.

All the musical numbers are performed live by the actors and the band as they follow the action with precision and gusto. The synching is spot on. At key moments the characters form the movie appear before us (or far away, depending on where you happen to be in the hall at that particular time). You can watch the movie screen while you listen, as the lip movements are uncannily in time with the actors. Although you are better off focusing on the live action. Liam Morris and Stephanie Costi are dead ringers for Travolta and O.N.J. as Danny and Sandy. Similarly, all the T-Birds and the Pink Ladies are often indistinguishable from their screen counterparts. The onstage band is exceptional, providing note perfect interpretations of the songs, and intermittently filling dips in the film’s narrative with star turn numbers from the ensemble. If you come away not knowing how to do the hand jive, you clearly haven’t been paying attention.

Almost as much fun can be had watching the audience as the show. If you are not a fan of immersive experiences, the infectious joy that ripples through the crowds will surely convert you. And proceedings are helped along by the many crowd pleasers this musical throws into the mix, from the opening ‘Summer Nights’ right through to the closing chang-chang, changity-chang-shoo-bops. Costi is forever watchable as Sandy, melting our hearts with her ‘Hopelessly Devoted to You’ moment. Lucy Penrose is another standout as Rizzo, belting out ‘There Are Worse Things I Could Do’, even managing to rise above the audience’s ensemble singing. There are a few surprises along the way in the staging. Director Matt Costain has managed to turn what could be a nightmare of a job into a dream. Slick, is an understatement.

Throughout the show we are free to meander into and out of the action that surrounds us completely. It is always nice to pop back outside for a breather. Eventually we are all led back into the fairground for the famous final scene in which Sandy appears transformed, complete with spray-on black satin pants. The rousing ‘You’re the One that I Want’ is as ‘electrifying’ as Danny’s ‘multiplying chills’. Secret Cinema has woven its magic once again on the story it is telling (not that there is much of a story to tell in this case). But we feel part of it, and despite it having become such a brand now, it still feels intimate and personal. As we stroll away through the night air, with a ‘shoo-wop-sha-whada-whadda’ spring in our steps, we know we have witnessed something quite unforgettable, and have been reminded that, perhaps after all, ‘Grease is the word’.

THE REMARKABLE BEN HART

Wilton’s Music Hall

★★★★★

“It’s well crafted and oddly moving, with a flair for the occult.”

THE REMARKABLE BEN HART

Wilton’s Music Hall then UK Tour continues

Reviewed on 4th September 2025

by Violet Howson

Photography by Matt Crockett

Recently reviewed at the venue:

THE REMARKABLE BEN HART

THE REMARKABLE BEN HART

THE REMARKABLE BEN HART

GREASE: THE IMMERSIVE MOVIE MUSICAL

Evolution London

★★★★

“Slick, is an understatement”

GREASE: THE IMMERSIVE MOVIE MUSICAL

Evolution London

Reviewed on 5th August 2025

by Jonathan Evans

Photography by Luke Dyson | Danny Kaan | Matt Crockett

Recently reviewed by Jonathan:

GREASE

GREASE

GREASE

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