Tag Archives: Nic Doodson

MADDIE MOATE’S VERY CURIOUS CHRISTMAS

★★★★★

Garrick Theatre

MADDIE MOATE’S VERY CURIOUS CHRISTMAS

Garrick Theatre

★★★★★

“a unique and quirky production”

Are you looking for a fun filled family show this festive season? Look no further than a trip to the Garrick Theatre for Maddie Moate’s Very Curious Christmas – Returning to the West End this Christmas, join Maddie and friends for a captivating, educational hour for both the children and adults.

Written and created by Maddie Moate, the story bases around Santa’s workshop but with a few spanners thrown in the works. With not much time on their hands before Mrs Claus pays a workshop visit, Tinker the trainee elf (Kira MacCarter) and Goggles, the Head of Elf Safety (Zain Abrahams) must race against time to fix the workshop in the name of science.

Verity Sadler’s set and costume design comes across as both creative and charismatic whilst also bringing a jolly feel to it. Before the beginning of the show you are instantly met with a brightly lit Christmas tree on stage with Christmas labelled sign posts which gives you an idea of how the show is going to play out. The vibrant, fluorescent lighting (Naomi McKinlay) is a great attribute to mesmerise and grab the attention of the audience. Liam McDermott’s sound design also brings much delight and surprise.

This production, with direction from Nic Doodson and Joanna Adeyinka-Burford has audience participation aplenty, including gingerbread, sprouts, a few surprises and many a science experiment for all ages. Slick, energetic choreography with punchy music interludes also knit well into the show.

The most mention though should go to the three actors as well as one virtual appearance from Mrs Claus (Jennie Dale) who all do a marvellous job at bringing the Christmas magic. Maddie Moate keeps her audience drawn in throughout with quick witted humour, excellent line delivery and involving her audience throughout the entirety of the show. Kira MacCarter and Zain Abrahams’ cheeky and joyful portrayal of elves make for an entertaining watch as they accompany Maddie. Jennie Dale is also a brilliant Mrs Claus.

The show of course include the common Christmas show anecdotes such as references to the ‘ghost gag’ though in this case it’s changed slightly to an elf gag to fit the feel of the production.

The piece overall is fantastically put together which brings audiences of all ages together to enjoy what is a unique and quirky production. If you’re looking for a delightful hour of smiles this should definitely be one to put on your Christmas show list!

 



MADDIE MOATE’S VERY CURIOUS CHRISTMAS

Garrick Theatre

Reviewed on 14th December 2025

by Emily East

Photography by Mark Senior


 

 

 

 

Maddie Moate

Maddie Moate

Maddie Moate

THE CHOIR OF MAN

★★★★★

Arts Theatre

THE CHOIR OF MAN

Arts Theatre

★★★★★

“this an ensemble piece at its finest, with a real sense of brotherhood amongst the whole cast”

The great British pub, previously everywhere, is now endangered – a ‘third space’ that’s slipping away. Enter ‘The Choir of Man’, a heartfelt, feel-good show where pints pour, voices soar, and everyone belongs – a new kind of safe space for theatre lovers and pub goers alike.

Walking through the doors of the Arts Theatre, we’re transported to ‘The Jungle’ – at first glance a typical local with typical personalities including a Barman, Hard Man and Handyman. But scratch the surface and it’s anything but, with a Poet, Romantic, Maestro and others turning beer-soaked bravado into a brotherhood of connection and creative outlet. There’s no narrative, with rhyming monologues linked by song, dance and live instrumentals exploring themes such as friendship and home. It’s rich in feeling, each man finding their voice before ending with a gut punch reveal and a raw folk farewell.

As a woman and a feminist, I was sceptical of seeing a show about men in a pub – I couldn’t have been more wrong. Created by Nic Doodson and Andrew Kay with monologues by Ben Norris, ‘The Choir of Man’ is full of tenderness and truth, reclaiming a traditionally hyper-masculine space as somewhere men can express themselves. It’s romanticised, the poetic monologues and feel-good vibes giving it a dreamlike glow; but my soul feels lighter for witnessing a bunch of blokes holding space for each other. It’s carefully constructed to add depth, such as the Romantic pouring his heart out to Adele’s ‘Hello’ while the lads slow-mo through some football highs and lows. A deeper thread is also woven in, ending with a poignant reminder of the importance of looking out for each other.

Nic Doodson’s direction blurs drama and daily life. The stage becomes a pub for audience and cast alike. The cast roams about, checking in and making you feel at home. Multiple numbers involve audience participation, including inviting people on stage and even offering extra drinks and crisps to keep us going. It’s exactly the kind of warm camaraderie one craves from a third space, and a complete breath of fresh air from a West End show.

‘The Choir of Man’ is a folk-pop-rock jukebox musical offering something for everyone, from ‘Chandelier’, to ‘Under the Bridge’ and even a cheeky rendition of ‘Escape (The Pina Colada Song)’. Though the real strength is Jack Blume’s marvellous orchestrations and arrangements, with interesting interpretations, complex harmonies, and modern mashups to surprise and satisfy the musically inclined.

Oli Townsend’s set design doesn’t just suggest a pub – it is one, complete with bar taps and beer mats. Verity Sadler’s costume design balances cohesion and character. Freddie Huddleston’s choreography beautifully contrasts moments of unity and disconnection. Richard Dinnen’s lighting design is joyful, full of vibrant colour and synced perfectly to the music. Sten Severson’s sound design brings out the multiple part harmonies, though the voices get a little lost during the tap dancing and pint glass clashing.

The newly assembled cast is electric, closing out the West End run before embarking on a UK tour. Paul McArthur’s Poet breathes life and love into each monologue, each song aching with feeling. Jason Brock is a passionate Romantic, with beautiful tenor and falsetto ranges that soar skyward. Ben Goffe’s Handyman proves a master of all trades, with expert singing, trumpet playing and fantastically fast, crisp tap footwork that’s rare outside a dance show. Though this an ensemble piece at its finest, with a real sense of brotherhood amongst the whole cast – if your gaze drifts, it’s always greeted with exchanges that radiate trust. The onstage band also deserves a mention for their firepower and finesse.

‘The Choir of Man’ is harmonious in every sense, creating a place of trust and love that everyone should experience. Catch it on the West End and then again on tour – you’ll come away feeling refreshed and hopeful.



THE CHOIR OF MAN

Arts Theatre

Reviewed on 7th October 2025

by Hannah Bothelton

Photography by Mark Douet


 

Previously reviewed at this venue:

PORNO | ★★★ | November 2023
THE CHOIR OF MAN | ★★★★ | October 2022
THE CHOIR OF MAN | ★★★★★ | November 2021

 

 

THE CHOIR OF MAN

THE CHOIR OF MAN

THE CHOIR OF MAN