Tag Archives: Ben Norris

AN INSTINCT

★★★½

Old Red Lion Theatre

AN INSTINCT

Old Red Lion Theatre

★★★½

“a brave piece of theatre”

An Instinct is an inside look into coercive control, manipulation and makes you question everything. Littered with moments of shock, suspense and humour this play really takes you on a journey to an alternate experience of our once lived lockdown days.

Written by Hugo Timbrell, we are transported back to the beginning of COVID, to a cabin in the middle of the woods where we find ex lovers Max (Conor Dumbrell) and Charlie (Ben Norris) who have reunited to face isolation together.

Dumbrell and Norris are great at setting the tone and mood immediately. We see two people figuring out a situation together, but as we are drip fed information, we start to question everything presented to us. As we watch our main characters battle with trust, loyalty and the lack of both, we as an audience also ask the same questions and battle with the reality being played out. By the time our third player, Tom (Joe Walsham) enters the scene – there is a strong desire for the truth amongst the characters and audience alike.

Timbrell has created a brave piece of theatre here. There is a real understanding for how manipulation, gaslighting and passive aggressiveness play out without being biased. You are shown all sides of a story and are left to make your own judgements. He makes large, bold choices in the dynamics of the plot, with light comedy appearing throughout. The writing is very clever, clear and consistent – keeping you hooked in the twists and turns.

An Instinct is a thriller which can sometimes be a tricky genre, especially with the pressure of being able to lure your audience into anticipation ready to be thrilled. There are a couple of jump scare moments that can catch any audience member unaware, and we are pulled into a very unstable environment that is rife with mistrust. However there are also moments where the play runs the risk of being awkward.

The actors do well to sustain character and drive the plot through its highs and lows, but it’s a hard job to keep the suspense of a thriller, especially in theatre without the glitz and glamour of TV and film tricks. This pressure was almost too much for our actors at times. This didn’t take too much away from the play, and didn’t leave a bad taste, in fact it was a fun experience and audiences can take something away from it.

Director Lucy Foster delivered superbly. The transitions, the use of space and blocking of the actors are flawless and really lets us into their world by reinforcing that fourth wall and giving us a real “fly on a wall” experience. The sound (Julian Starr) and lighting (Caelan Oram) really supports the realism of the whole production and all the tricks and effects are used perfectly. Well worth seeing.



AN INSTINCT

Old Red Lion Theatre

Reviewed on 19th November 2025

by Paige Wilson-Lawrence

Photography by Craig Fuller


 

Previously reviewed at this venue:

CURATING | ★★ | November 2025
DEATH BELLES | ★★★½ | October 2025
FRAT | ★★ | May 2025
EDGING | ★★★ | September 2023
THIS IS NORMAL | ★★★★ | September 2023

 

 

AN INSTINCT

AN INSTINCT

AN INSTINCT

THE CHOIR OF MAN

★★★★★

Arts Theatre

THE CHOIR OF MAN

Arts Theatre

★★★★★

“this an ensemble piece at its finest, with a real sense of brotherhood amongst the whole cast”

The great British pub, previously everywhere, is now endangered – a ‘third space’ that’s slipping away. Enter ‘The Choir of Man’, a heartfelt, feel-good show where pints pour, voices soar, and everyone belongs – a new kind of safe space for theatre lovers and pub goers alike.

Walking through the doors of the Arts Theatre, we’re transported to ‘The Jungle’ – at first glance a typical local with typical personalities including a Barman, Hard Man and Handyman. But scratch the surface and it’s anything but, with a Poet, Romantic, Maestro and others turning beer-soaked bravado into a brotherhood of connection and creative outlet. There’s no narrative, with rhyming monologues linked by song, dance and live instrumentals exploring themes such as friendship and home. It’s rich in feeling, each man finding their voice before ending with a gut punch reveal and a raw folk farewell.

As a woman and a feminist, I was sceptical of seeing a show about men in a pub – I couldn’t have been more wrong. Created by Nic Doodson and Andrew Kay with monologues by Ben Norris, ‘The Choir of Man’ is full of tenderness and truth, reclaiming a traditionally hyper-masculine space as somewhere men can express themselves. It’s romanticised, the poetic monologues and feel-good vibes giving it a dreamlike glow; but my soul feels lighter for witnessing a bunch of blokes holding space for each other. It’s carefully constructed to add depth, such as the Romantic pouring his heart out to Adele’s ‘Hello’ while the lads slow-mo through some football highs and lows. A deeper thread is also woven in, ending with a poignant reminder of the importance of looking out for each other.

Nic Doodson’s direction blurs drama and daily life. The stage becomes a pub for audience and cast alike. The cast roams about, checking in and making you feel at home. Multiple numbers involve audience participation, including inviting people on stage and even offering extra drinks and crisps to keep us going. It’s exactly the kind of warm camaraderie one craves from a third space, and a complete breath of fresh air from a West End show.

‘The Choir of Man’ is a folk-pop-rock jukebox musical offering something for everyone, from ‘Chandelier’, to ‘Under the Bridge’ and even a cheeky rendition of ‘Escape (The Pina Colada Song)’. Though the real strength is Jack Blume’s marvellous orchestrations and arrangements, with interesting interpretations, complex harmonies, and modern mashups to surprise and satisfy the musically inclined.

Oli Townsend’s set design doesn’t just suggest a pub – it is one, complete with bar taps and beer mats. Verity Sadler’s costume design balances cohesion and character. Freddie Huddleston’s choreography beautifully contrasts moments of unity and disconnection. Richard Dinnen’s lighting design is joyful, full of vibrant colour and synced perfectly to the music. Sten Severson’s sound design brings out the multiple part harmonies, though the voices get a little lost during the tap dancing and pint glass clashing.

The newly assembled cast is electric, closing out the West End run before embarking on a UK tour. Paul McArthur’s Poet breathes life and love into each monologue, each song aching with feeling. Jason Brock is a passionate Romantic, with beautiful tenor and falsetto ranges that soar skyward. Ben Goffe’s Handyman proves a master of all trades, with expert singing, trumpet playing and fantastically fast, crisp tap footwork that’s rare outside a dance show. Though this an ensemble piece at its finest, with a real sense of brotherhood amongst the whole cast – if your gaze drifts, it’s always greeted with exchanges that radiate trust. The onstage band also deserves a mention for their firepower and finesse.

‘The Choir of Man’ is harmonious in every sense, creating a place of trust and love that everyone should experience. Catch it on the West End and then again on tour – you’ll come away feeling refreshed and hopeful.



THE CHOIR OF MAN

Arts Theatre

Reviewed on 7th October 2025

by Hannah Bothelton

Photography by Mark Douet


 

Previously reviewed at this venue:

PORNO | ★★★ | November 2023
THE CHOIR OF MAN | ★★★★ | October 2022
THE CHOIR OF MAN | ★★★★★ | November 2021

 

 

THE CHOIR OF MAN

THE CHOIR OF MAN

THE CHOIR OF MAN