Tag Archives: Paul Foster

EXTRAORDINARY WOMEN

★★★★★

Jermyn Street Theatre

EXTRAORDINARY WOMEN

Jermyn Street Theatre

★★★★★

“an invitation into a rare, sensual, and thought-provoking world”

Everything about this show is remarkable and enchanting. Director Paul Foster and choreographer Joanna Goodwin have created a production that is both visually stunning and emotionally resonant—a true triumph in modern musical theatre.

Based on the novel by Compton Mackenzie, Extraordinary Women transports us to the windswept and mysterious isle of Sirene, where a group of fiercely independent women attempt to imagine and build a life without men. It’s a story filled with irony, longing, and layers of identity, elevated by a strong creative vision and a superb ensemble cast.

The performances are nothing short of extraordinary. Sophie-Louise Dann dazzles in multiple roles, including one of the sirens. She brings nuance, wit, and warmth to each of her characters, particularly to Cleo, a talented pianist and one of the complex lovers of Rosalba. Rosalba is portrayed by the brilliant Amy Ellen Richardson, whose charisma on stage is magnetic. Her character is one you might love or hate, but Richardson’s masterful command of song, dance, and emotional range ensures you’re captivated every moment she’s on stage, and eagerly waiting for her return whenever she exits.

Equally commendable are the performances of the other sirens: Jasmine Kerr as the fiery and elegant Ligeia, Amira Matthews as the poetic and mysterious Sappho, and Monique Young as the alluring and sharp-witted Parthenope. Each brings something unique to the stage, contributing to the layered tapestry of characters living on Sirene.

The story unfolds primarily in a grand seaside villa, recently acquired by Aurora, the passionate and devoted lover of Rosalia. Aurora is portrayed with poise and emotional clarity by Caroline Sheen, who lends a grounded warmth to the character. As the summer wanes and the relationships among the women become increasingly tangled, the stakes rise and the show leans into its themes of love, loss, and reinvention.

Though the women shine throughout, special mention must be given to Jack Butterworth, who delivers five distinct roles with impressive versatility, timing, and flair. He provides essential transitions between scenes and tonal shifts, and his adaptability is one of the show’s secret weapons.

Visually, the production is breathtaking. The lighting design by Alex Musgrave is integral to the storytelling, creating a world that feels at once connected and disjointed, fluid and fractured, much like the emotions of the characters. The lighting guides the audience through dreamlike sequences and grounded moments alike, giving each scene its own emotional signature.

Musically, the show is underscored by an ethereal and melancholic motif, a lullaby drifting from a distant piano bar, played live by Sam Sommerfield and James William-Pattison. Their live music feels like a memory you can almost touch.

And then there are the costumes, particularly the sirens’, designed by Carla Joy Evans. They are a visual feast, evoking mythology, femininity, and rebellion, all at once. The effect is heightened by the ingenious set designed by Alex Marker, which captures the charm of a remote Mediterranean island, somewhere off the Gulf of Naples. Though the stage is modest in size, its impact is anything but small.

In the end, Extraordinary Women is more than just a musical, it’s an invitation into a rare, sensual, and thought-provoking world. With its stunning ensemble, unforgettable visuals, and haunting music, it lingers long after the final curtain.

A must-see.



EXTRAORDINARY WOMEN

Jermyn Street Theatre

Reviewed on 25th July 2025

by Beatrice Morandi

Photography by Steve Gregson

 

 

 


 

 

 

 

 

Last ten shows reviewed at this venue:

LITTLE BROTHER | ★★★ | May 2025
OUTLYING ISLANDS | ★★★★ | February 2025
THE MAIDS | ★★★ | January 2025
NAPOLEON: UN PETIT PANTOMIME | ★★★★ | November 2024
EURYDICE | ★★ | October 2024
LAUGHING BOY | ★★★ | May 2024
THE LONELY LONDONERS | ★★★★ | March 2024
TWO ROUNDS | ★★★ | February 2024
THE BEAUTIFUL FUTURE IS COMING | ★★★★ | January 2024
OWNERS | ★★★½ | October 2023

EXTRAORDINARY WOMEN

EXTRAORDINARY WOMEN

EXTRAORDINARY WOMEN

THE CABINET MINISTER

★★★★

Menier Chocolate Factory

THE CABINET MINISTER at the Menier Chocolate Factory

★★★★

“a lavish excursion into genteel decadence, handsomely mounted and delivered with flair.”

The Twombleys’ London townhouse could pass as a railway tearoom such is the scale of arrivals and departures in Nancy Carroll’s perky interpretation of Arthur Wing Pinero’s family farce.

Designer Janet Bird’s sumptuous Victorian set works wonders on the Menier’s compact stage. She creates more marvels – and thankfully more space – in Act Two’s re-creation of Drumdurris Castle, a transformation that won interval applause.

Costumes, too, are charming and elegant, unlike the inner workings of the strife-torn Twombleys who are facing a blizzard of debts and bills. Head of the household Sir Julian, the Cabinet Minister of the title, is also on the verge of resignation and disgrace following accusations of “accepting favours” in the bear pit of Westminster. No change there then.

Although the play’s promise is of political satire, it is matters of heart and purse that occupy a giddy procession of plots and subplots. The motive is money and marriage, the latter invariably facilitating the former.

Consequently, Nicholas Rowe, as Sir Julian, appears somewhat lost amid the sugar-rush garrulousness of the very modern ladies working hard to make ends – and couples – meet.

More dynamic and focused is his wife, former farmgirl Kitty Twombley, who is forever in a whirl, heading off financial calamity and protecting her brood with nefarious schemes. The talented Nancy Carroll, who also adapted the play, ensures her dazzling Kitty-with-claws is the multi-faceted fulcrum of this dizzying merry-go-round.

“It is fun and it is funny”

In an ensemble cast without notable flaws, special mention must go to Dillie Kean’s decrepit Lady Macphail. Her phlegmy Scottish brogue amusingly evokes the misty mountains, majestic pines and haunting pipes of her homeland. These sentimental interludes are in comedic contrast to the gnomic utterances of her awkward son Sir Colin (Matthew Woodyatt) who, commendably and in contrast to the general fevered tone, “refuses to fill the silence with bluster”.

Because much of the play’s frantic delight is to be found in baroque circumlocutions, leavened with sly quips, vegetable gags and double entendres constructed to land comfortably on the modern ear without entirely losing the spirit of the 1890 original. It is fun and it is funny.

Elsewhere Sara Crowe’s stately matchmaker Dora indulges in “practical interference” while Phoebe Fildes and Laurence Ubong Williams bring a touch of skulduggery and sharp practice as the blackmailing Lacklustre siblings, chancers on the make.

Director Paul Foster keeps the action tight, the lines crisp and the pacing modern, although he is forever combatting the grating anachronisms of class and entitlement (presumably the reason behind the addition of an unnecessary coda).

The 12-strong cast seem to delight in each other’s excellent work and there’s an anarchic energy which, although occasionally threatening to overwhelm the piece, ultimately finds a resolution to match its promise.

The Cabinet Minister is a lavish excursion into genteel decadence, handsomely mounted and delivered with flair.


THE CABINET MINISTER at the Menier Chocolate Factory

Reviewed on 28th September 2024

by Giles Broadbent

Photography by Tristram Kenton

 

 

 


 

 

 

 

 

Previously reviewed at this venue:

CLOSE UP – THE TWIGGY MUSICAL | ★★★ | September 2023
THE THIRD MAN | ★★★ | June 2023
THE SEX PARTY | ★★★★ | November 2022
LEGACY | ★★★★★ | March 2022
HABEAS CORPUS | ★★★ | December 2021
BRIAN AND ROGER | ★★★★★ | November 2021

THE CABINET MINISTER

THE CABINET MINISTER

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