Tag Archives: Rob Casey

WAR HORSE

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UK Tour

WAR HORSE at The Lowry

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“Every part is played with truth and passion, the cast make us feel, even cry at times”

The National Theatre’s new production based on the well known, much loved book by author Michael Morpurgo, is compelling viewing. A powerful indictment of conflict and the utter chaos of war, War Horse interrogates the things which test us and allow us to grow in understanding, albeit through unimaginable suffering. It is at once, both devastating and a powerful, life changing, piece of theatre.

Albert Narracott, a sixteen year old farmer’s boy living in rural Devon, is given the task of training up young Joey, a beautiful, feisty horse who had been bought in a bad-tempered bidding war by Albert’s quarrelsome, drunk father. Albert’s task is to turn Joey into a working horse. Their growing bond and successes in the face of adversity, are joyous.

When war comes, the peace of farm life is broken, men enlist and good, strong horses are bought by the army to work in the fields of war. Albert’s beloved Joey is sold by his father, betraying his promise to Albert. Albert cannot bear the loss of his best friend Joey and undertakes a journey into war, with the aim of safely bringing him back home. The parallel, integral story of the horses Joey and Topthorn, a thoroughbred mount, as they are compelled to serve first British, then German forces, mirrors the violent conflict faced by troops, alongside the power of friendship amongst men and animals. When we see war through the horses’ eyes, we see more clearly.

Albert (Tom Sturgess) holds the stage, as he wrestles challenges with bravery, gentleness and single minded determination. From bullied son and gentle companion of Joey, to vulnerable yet emboldened soldier, he captivates throughout. He is our son, our future too.

Joey and Topthorn are awesomely commanding full size puppet horses from The Handspring Puppet Company and are undoubtedly a core part of the success of the production. Puppetry Director Matthew Forbes and the puppeteers who perform in rotation, succeed in portraying the non verbal communication of the horses. The skilled and enthralling puppetry shows them as both warriors and victims, alongside the men at war and the women left behind. The poignance of both horses setting their rivalry aside and settling down to chew the grass side by side, is matched with jaw dropping moments of pure theatre, with both horses involved in the full thrust and horror of war.

Every part is played with truth and passion, the cast make us feel, even cry at times. The nuanced gentleness and β€˜stiff upper lip’ of Lieutenant Nicholls (Chris Williams), the comedic banter and potted French of Sergeant Thunder (Gareth Radcliffe), and the gallows humour and bitter-sweet comradeship of David Taylor (Ike Bennett) are examples of the talent on display.

Safe in the directorial hands of Tom Morris and Katie Henry, the work retains its magical spectacle of puppetry, filmic, visceral storytelling, animation and music. The songs, written by John Tams and performed with gritty soulfulness by Sally Swanson and the cast, offer the best of the English folk tradition: memorable, simple and stirring. They complement the power of Adrian Sutton’s orchestral soundtrack, without which the full power and experience of War Horse could not be realised.

The simple, suspended sets (a frayed paper drawing page, where the light edges in) allow our imagination to combine with the creative drawings (Rae Smith) and animations, to immerse us evermore. The highly effective use of lighting zones (Rob Casey), where animals and cast move into and out of view, adds spine tingling perfection when the cast appear from the dark, or a horse rears into view.

Although some of the scenes are disturbing, they are totally necessary in bringing Morpurgo’s work to life and portraying the full horror of war. Touching and moving, War Horse is a must-see experience.

 


WAR HORSE at The Lowry then UK tour continues

Reviewed on 22nd September 2024

by Lucy Williams

Photography by Brinkhoff Moegenburg

 

 

 

 

 

 

More five star shows from this month:

GUYS & DOLLS | β˜…β˜…β˜…β˜…β˜… | BRIDGE THEATRE | September 2024
THE PLAY THAT GOES WRONG | β˜…β˜…β˜…β˜…β˜… | DUCHESS THEATRE | September 2024
THE BELT | β˜…β˜…β˜…β˜…β˜… | THE CORONET THEATRE | September 2024
JAZZ CONVERSATIONS | β˜…β˜…β˜…β˜…β˜… | THE PLACE | September 2024

WAR HORSE

WAR HORSE

Click here to see our Recommended Shows page

 

Octopus Soup!
β˜…β˜…Β½

Theatre Royal Windsor & UK Tour

Octopus Soup

Octopus Soup!

Theatre Royal Windsor

Reviewed – 1st April 2019

β˜…β˜…Β½

 

“In spite of the dogged efforts of the cast, the audience just didn’t get many of the jokes”

 

Billed as β€˜an instant modern classic like β€˜The Play that Goes Wrong’’, Jack Milner and Mark Stevenson’s β€˜Octopus Soup!’ is a new British farce, developed and premiered by the Belgrade Theatre, Coventry, before a national tour which continues to May 4.

Where would theatre be without farce? At its best and in the hands of masters like Ayckbourn or Feydeau its ingredients are brilliant wit, sexual intrigue, and a lot of β€˜business’ as comedic stereotypes get utterly confounded by impossible situations. But is the recipe right for this particular bouillabaisse?

β€˜Octopus Soup!’ has an accomplished and hard-working cast, admirably led by Nick Hancock, who helped to create and then presented β€˜Room 101’ for seven years from its inception in 1992. He plays the risk-averse but increasingly desperate insurance man Seymour Norse who is about to make the biggest presentation of his life to the CEO of GIT, a troubled insurance company (an authoritative and satisfying performance by Gillian Bevan, who recently appeared as Theresa May in Channel 4’s β€˜The Windsors’).

Before a word of dialogue is spoken, Seymour Norse has lost his trousers. A predictable enough part of the mix, but pretty wasted at the top of the show. The arrival of a blundering burglar (a smart performance by Paul Bradley) stirs up the plot, which then takes a few fishy twists before a fairly predictable ending. Norse’s nervy wife is wittily played by Carolyn Backhouse, a regular at the Chichester Festival Theatre. Eric Richard makes a satisfying appearance as a nasty underworld boss with a taste for seal sanctuaries. Terry the octopus twitches, a bullet is fired. Thanks to a well-known casserole company, which got the biggest laugh of the evening, someone is dead, or are they? So much for the slide presentation and for the plot, which stretches pretty thinly over the evening.

Actors often say that a play that seems lack-lustre one night will shine the next, simply because of the mood of one audience compared to another. I have to report that the audience in Windsor on Monday weren’t hungry for octopus soup. The fault seemed to lie not with the performances, or the set, or even the slightly dodgy sound effects, but with the writing. Many of the jokes relied on fairly improbable malapropisms of the β€˜Ethics? – I come from there!’ kind. In spite of the dogged efforts of the cast, the audience just didn’t get many of the jokes, particularly in the limping first act.

The final line sank like a damp soufflΓ©, and the cast seemed only too quick to leave the stage.

 

Reviewed by David Woodward

Photography by Robert Day

 

TheatreRoyalWindsor

Octopus Soup!

Theatre Royal Windsor until 6th April then UK Tour continues

 

Previous shows covered by this reviewer:
Teddy | β˜…β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | January 2018
The Rivals | β˜…β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | March 2018
A Midsummer Night’s Dream | β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | May 2018
Jerusalem | β˜…β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | June 2018
Trial by Laughter | β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | September 2018
Jane Eyre | β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | October 2018
Murder For Two | β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | February 2019
The Trials Of Oscar Wilde | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | March 2019

 

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