A Christmas Carol Archives - Page 2 of 4

A Christmas Carol

Online via Jermyn Street Theatre and Guildford Shakespeare Company

Reviewed – 19th December 2020

★★★

“The spirit of Christmas present may have taken a holiday this year, and while this show doesn’t quite lure it back, it does remind us of our Christmases past”

On the day that Christmas was effectively cancelled, it is perhaps a natural reaction to want to seek refuge in some sort of seasonal escapism. ‘How the Grinch Stole Christmas’ or ‘Bad Santa’. ‘It’s a Wonderful Life’ is another annual favourite. Something comfortingly familiar and predictable. Charles Dickens’ “A Christmas Carol” fits the bill perfectly. Written during a time when the British were re-evaluating themselves, its themes of transformation and redemption inspired, if not created, the aspects of Christmas we have grown to love; including family gatherings, festive food and drink, games and a communal generosity of spirit.

In the absence of that, the Guildford Shakespeare Company with Jermyn Street Theatre, are beaming their live, staged version of the story via Zoom, which allows a degree of audience participation. The technology, born of necessity back in March, still feels a little underdeveloped, but it does let the curtain rise on productions that would otherwise remain locked away in the dark.

Naylah Ahmed’s faithful adaptation pulls no surprises. We all know the story, which is its selling point, along with the two names in the cast – Penelope Keith and Brian Blessed who play the ghosts of Christmas Past and Present respectively. Keith displays her signature imperious disdain for the unreformed Scrooge with a deadpan, but slightly apologetic, sense of humour (“I am not a sir, sir!”), while Blessed’s distinctly unapologetic performance plays up to his own caricature. They are both a formidable and colourful presence. Jim Findley, as Ebenezer Scrooge, fails to react accordingly, and doesn’t seem to be too distraught that his night is disturbed by these uninvited and foreboding spirits.

Rallying round, though, are the three multi-rolling cast members who pick up the remaining characters. Robin Morrissey’s versatility leapfrogs from his Jacob Marley to Bob Cratchitt to Mr Fezziwig with ease, accompanied by the sparkly eyed Paula James as Mrs Cratchitt, Fezziwig and others. Paula James, along with Lucy Pearson, who has her own hamper full of characters, bring a lightness of touch to what is a fairly stolid and dependable narration.

Despite the commitment of the cast, they seem unsure as to who the audience is. Director Natasha Rickman seems to be steering them, perhaps against their will, towards a younger crowd. The sense of enjoyment is prevalent but at the expense of the magic and awe that this tale should inspire. The show features children from the Guildford Shakespeare Company’s drama clubs, in rotation, as the Cratchitt children, and it is a delight to see the relish with which the three young ensemble cast dive into their roles.

The spirit of Christmas present may have taken a holiday this year, and while this show doesn’t quite lure it back, it does remind us of our Christmases past and give us hope for those yet to come. But we want to toast the future with effervescence and this ‘Christmas Carol’ doesn’t have the sparkling warmth to uplift us fully. But ‘Humbug’ to that. The run is already sold out online so don’t listen to this old Scrooge.

Reviewed by Jonathan Evans

Photography by Ciaran Walsh

A Christmas Carol

Online via Jermyn Street Theatre and Guildford Shakespeare Company until 27th December

Previously reviewed by Jonathan:

Marry me a Little | ★★★★ | Online | November 2020

Rent | ★★★★★ | Online | November 2020

Right Left With Heels | ★★★★ | Online | November 2020

Ute Lemper: Rendezvous With Marlene | ★★★★★ | Online | November 2020

Salon | ★★★ | Century Club | December 2020

The Flying Lovers of Vitebsk | ★★★★ | Online | December 2020

The Dumb Waiter | ★★★★ | Hampstead Theatre | December 2020

The Pirates Of Penzance | ★★★★★ | Palace Theatre | December 2020

The Elf Who Was Scared of Christmas | ★★★★ | Charing Cross Theatre | December 2020

Snow White in the Seven Months of Lockdown | ★★★★★ | Online | December 2020

Click here to see our most recent reviews

★★★★

“a play that leaves its audience with such an infectious sense of joy”

A Christmas Carol – it’s a story many of us know so well. Based on Charles Dickens’ novel, the Watermill Theatre’s Christmas production is a charming and moving retelling of the famous tale. “A story is a candle in a dark place,” begins our narrator moments before the candle floats in front of us. We are assured that this tale will be a magical one. When Scrooge’s long dead business partner appears in his bedroom, weighed down by chains, he tells Scrooge that three ghosts will come to him, the ghost of Christmas past, present and Christmas yet to come. Across the course of the evening, Christmas Eve to be specific, the three ghosts visit the miserly Ebeneezer Scrooge to show him what life lived in greed will bring him, and to remind him of how he became the man he is today . This is a story of the human capacity to change for the better and it is a heart-warming watch. Danielle Pearson’s adaptation, directed by Georgie Straight, pivots around this sense of a second chance. It is a touching and universal story, full of the harshness of life and the joy of it.

The show is a two-hander, and our two actors Pete Ashmore and Tilly-Mae Millbrook handle their many parts with ease. Ashmore’s Scrooge undergoes an incredibly moving transformation, from the gruff, merciless man we first meet to the joyfully energetic and generous figure the play ends with. Millbrook as the Narrator is warm and playful, bringing the audience into her tale. Between them they also play everyone else, made unrecognisable by a change of accent and a floral scarf. Designed by Emily Barratt, each costume detail denoting a different character is vivid and sufficient.

The set, which features dark bricks and hanging washing, is designed by Isobel Nicholson. A piano is disguised as Bob Cratchitt’s desk branded with Scrooge and Marley’s sign. Several of the ghosts are created through set – a lantern reimagined and a cloaked shape falling from the ceiling. Creating such a multi-role show with only two actors could have proved a real challenge, but the show has been conceived in such a way – through script, costume and design, that we never want for more actors than we have onstage. Clever sound design by Tom Marshall creates the sense of bustling streets and heightens each ghost’s arrival. Harry Armytage’s lighting design is equally clever: two windows at the back of the stage are lit and filled with silouhettes from the cobwebs of Camden to groups of party guests gathered together.

The show is punctuated with beautiful harmonised renditions of classic Christmas songs which the actors sing and accompany themselves, on violin, clarinet and piano. Both are accomplished players and Ashmore’s violin playing is particularly impressive and evocative.

Every element of this show is lovely, well made, detailed, delivered by a faultless cast and creative team. The Watermill Theatre handles the Covid-19 restrictions fantastically and patiently, and it is a pleasure to be back in a theatre again, especially to see a play that leaves its audience with such an infectious sense of joy and the possibility of human nature.

Reviewed by Amelia Brown

Photography by Pamela Raith

Online via Jermyn Street Theatre and Guildford Shakespeare Company

Reviewed – 19th December 2020

★★★

“The spirit of Christmas present may have taken a holiday this year, and while this show doesn’t quite lure it back, it does remind us of our Christmases past”

Reviewed by Jonathan Evans

Photography by Ciaran Walsh

A Christmas Carol

Online via Jermyn Street Theatre and Guildford Shakespeare Company until 27th December

Previously reviewed by Jonathan:

Watermill Theatre

Reviewed – 5th December 2020

★★★★

“a play that leaves its audience with such an infectious sense of joy”

The show is punctuated with beautiful harmonised renditions of classic Christmas songs which the actors sing and accompany themselves, on violin, clarinet and piano. Both are accomplished players and Ashmore’s violin playing is particularly impressive and evocative.

Reviewed by Amelia Brown

Photography by Pamela Raith

A Christmas Carol

Watermill Theatre until 3rd January

Previously reviewed at this venue: