COME DINE WITH ME: THE MUSICAL at the Edinburgh Festival Fringe
★★★★
“an absolute treat”
Come Dine With Me is a national treasure of British television, having been on our screens on Channel 4 since 2005. It’s contributed greatly to the world of meme culture and is much-loved (and watched) by people all over the world. Given the success of previous television-inspired musicals, such as the hugely popular Great British Bake Off: The Musical, it makes perfect sense that someone has finally had the idea of turning this TV classic into the next big fringe musical hit.
The team comprises writer and lyricist Sam Norman, composer Aaron King, and is co-created with Nell Butler and Genevieve Welch, who both work directly on the actual TV show itself. It all starts with the TV crew – producer, camera, and sound operator – farcically falling about the auditorium as the audience take their seats. The show starts and there’s a problem: the nation loves Come Dine With Me, but ratings aren’t what they used to be, and the producer Mary (Daniele Coombe) needs something really special to happen to maintain the show’s success. The format then follows that of the TV show: four contestants take it in turns to host a dinner party, each getting a score from the others, and the winner receives a £1000 cash prize. The writers do a neat job at briefly packing this exposition into the start of the narrative, just to make sure anyone who hasn’t seen the show is caught up. What follows is a bit different though. As the nights begin the contestants are being sabotaged by someone, but who? A nightmare for the contestants, this becomes an opportunity for peak TV drama for Mary.
I’m a slight cynic when it comes to big title musical adaptations based on reality TV shows, but turns out I had nothing to fear with this one. The songs are excellent, with some cracking lyrics; Teddy (Harry Chandler) self-describing as ‘a virgin on the verge of turning into a hermit’ as a standout line.
Sure, there’s not much depth to the story, but with a slick 60-minute run time you don’t need it really. The cast give fantastic performances. Coombe’s vocals are electric and her stage presence commanding, with a semi-villainous number giving her a real opportunity to shine.
The top performance though comes from Chandler as Teddy, who plays the awkward nerdiness to perfection. He makes his body small and wriggly, and is charmingly adorable in his interactions with love interest Janey (Sophie Hutchinson). His vocals are incredible, with a rich, deep voice that is tightly controlled and a joy to listen to. I was going to add that he’d make a superb Enjolras in Les Mis, but a quick CV search shows he’s actually played the part already! And no surprise there. Chandler and Hutchinson delight with their duet singing ‘We could drink champagne, we could light a candle, we could share a meal, when the world feels inhumane.’ It’s a real highlight of the show.
Some of the characters feel more fleshed out than others. Kim Ismay is a lot of fun as the stiff upper-lipped Barbara and her song about cooking French cuisine is a hoot. It would be great to see the other contestants developed a bit further for the show’s future life, which I really hope this gets as it’s an absolute treat.
COME DINE WITH ME: THE MUSICAL at the Edinburgh Festival Fringe – Underbelly – Bristo Square – Cowbarn
Reviewed on 16th August 2024
by Joseph Dunitz
Photography by Mark Senior
COME DINE WITH ME
COME DINE WITH ME
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