Tag Archives: Manchester Opera House

13 GOING ON 30

★★★★★

Manchester Opera House

13 GOING ON 30

Manchester Opera House

★★★★★

“heart warming, funny and endearing”

13 Going on 30 The Musical, based on the book and screenplay by Josh Goldsmith and Cathy Yuspa, and the 2004 film, is simply great fun. An uplifting coming of age story with a whole load of real, not fake, girl power, it takes us on a journey of discovery to realise that the things which matter most are those which ground us and make us better people. Never taking itself too seriously, flashy and sassy, this world premiere was fresh and vibrant, packed with humour and a host of memorable songs.

Jenna is turning 13 and her best friend, the rather shy and ‘uncool’ Matt, thinks she is the most beautiful girl in the world. They share their lives, dreams and fun together, which is then threatened by Jenna desperately seeking acceptance into the inner circle of ‘the popular kids’. At her 13th birthday party, she is transported into the body – and life – of herself aged 30, as a successful glossy magazine executive. Thrust into a seemingly perfect life, the parties, ‘beautiful people’ and faux friendships eventually turn sour and she realises that true friendship, love and valuing the simplest, truest things in life is the answer. The plot sounds sugary and a standard ‘rom com’, but the message is delivered with a real sense of truth. Time can slip away and the decisions we make along the way change the world for ourselves and others. It’s never too late to change!

This world premiere is directed superbly by Andy Fickman, ensuring the full humour and sentiment are apparent throughout the performance. Music and lyrics by Alan Zachary and Michael Weiner provide a mixture of catchy, and emotional pieces, with some lovely duets, under the expert musical supervision of Alan Williams. The only non-original track, the “Thriller’ sequence, is a particular delight, even to those of us who did not know the 2004 film.

Lucie Jones gives a powerful and versatile performance as the lead, Jenna Rink, able to flit between the naivety of the pre-teen world and friendship and the excitement and frenzy of being ‘thirty, flirty and thriving’. Alongside David Hunter as Matt Flamhaff, their performance is extremely watchable, heartwarming and genuine. Grace Mouat as Lucy Wyman plays the perfect self-centred ambitious ‘bad girl’, originally the lead of the popular ‘six chicks’ at middle school and now in the gleeful position to offer perfectly delivered sarcastic witty retorts as she sweeps over her colleagues in seeking her own ends.

The whole cast are the best which the thriving musical theatre scene can give us. With spot on comedic timing, the cast give it everything: faultless and energetic dance routines, soaring voices and acting which was strong enough to genuinely convince us we too could still be that young person with dreams.

Special mention to the hilarious Caleb Roberts as Richard, the ‘boss’ at the magazine Poise, and the incredible stage presence and movement skills of Iván Fernández González as Darius Mark. It would be impossible to mention all the committed and talented cast, but it must be said that the young cast are every part as talented and versatile as their adult counterparts. Amelia Minto (young Jenna) and Max Bispham (young Matt) together with Emmeline D’Arcy Walsh (Becky) give shining performances and the comedic Cyrus Campbell (young Kyle) simply loves to entertain.

Colourful and captivating costumes (Gabriela Tylesova) add to the joyous and celebratory performance. The whole ensemble choreography (Jennifer Weber) is a particular joy to watch, with precision timing and movement. The set’s simplicity (Colin Richmond) makes for great efficiency in terms of transitions being seamless, and the dynamic lighting (Howard Hudson) facilitates the changing moods. The finale is visually spectacular and uplifting, featuring the perfect definition of a final number ‘Here and Now’.

A heart warming, funny and endearing show, it deserves to be counted as a strong new work in its own right, as well as a happy nostalgic throwback for those who loved the film.



13 GOING ON 30

Manchester Opera House

Reviewed on 30th September 2025

by Lucy Williams

Photography by Pamela Raith


 

Previously reviewed at this venue:

HERE AND NOW | ★★★★ | September 2025

 

 

13 GOING ON 30

13 GOING ON 30

13 GOING ON 30

HERE AND NOW

★★★★

UK Tour

HERE AND NOW

Manchester Opera House

★★★★

“unapologetically itself and dares us to follow suit”

‘Here & Now, the Steps Musical’, is a glittering, high-energy homage to Steps and love in its many fabulous forms. Campy, clever, and hilariously self-aware, it’s post-Brexit Britain’s answer to Mamma Mia! The plot might feel a little ‘Better Best Forgotten’ at times but underneath lies a heartfelt celebration of self-love and acceptance that everyone can ‘Stomp’ to.

This summer, four friends – Caz, Vel, Neeta, and Robbie – decide there’s more to life than working at ‘Better Best Bargains’. Swearing on the ‘pineapple of destiny’, they vow to find love before Caz turns 50. Things get messy quickly and betrayal threatens to turn their ‘One for Sorrow’ into four. Luckily the ‘pineapple of destiny’ – and a little heart – saves the day, reminding them that true love comes from within.

Shaun Kitchener’s book refuses to take itself too seriously, flashing decidedly self-deprecating wit. Set in a gloriously unglamorous supermarket, it mixes heartfelt moments with hilariously absurd scenes – such as lovers flirting over a giant bin. It’s grounded (everyone sacks off work to drink in a park) and fantastical (shoppers tear around the happiest supermarket in the world) and you just want to lean in. However, this jukebox musical’s plot is predictably thin. Act 1 ping-pongs glancingly around some heavy themes. Act 2 has more emotional weight but the characters remain under-developed, especially our lead Caz who bafflingly reconnects with a man who lies about wanting children (!). With a little polish, the story could truly sing.

That said, Rachel Kavanaugh’s direction understands the assignment, appealing to Steps fans and the LGBTQIA+ community while offering something for everyone. Expertly timed scene cut-offs lean into the unserious tone, colour palettes evoke different pride flags, and the frozen (aisle) inspired drag extravaganza is a showstopper. The large ensemble feels busy at points but adds much-needed vitality to the huge stage.

Matt Spencer-Smith’s musical supervision and arrangements and Musical Director Georgia Rawlins’ interpretation blend Steps’ huge pop hits almost seamlessly into this new setting. Though almost every plot point is embellished with a song, which isn’t necessary. Also, closing with ‘Here and Now’ is an interesting choice – it’s one of Steps’ more emotionally mature hits, but is ultimately less well known and less energetic. The final megamix is a great save, but the story deserves a stronger conclusion.

Matt Cole’s choreography strikes a refreshing balance between referencing Steps’ iconic moves and offering something new. The ensemble nails the complex group dances, though the more static principal routines sometimes draw the eye.

Set design (Tom Rogers) centres around a large supermarket façade, with moveable pieces and clever lighting transporting us elsewhere when necessary. I love the constant rearranging of checkout aisles and trolleys, keeping the layout fresh. The lighting design (Howard Hudson) is dynamic, bold and slick. An assortment of bright rainbow colours snap to supermarket fluorescent white, before easing into deeper moments. Costume design (Gabriella Slade) brings the supermarket uniform to life by mixing up the colours and patterns according to the mood. Denim and iron on patches evoke the late 1990s and the drag moment is a stroke of genius. Wigs and hair (Sam Cox) and make up design (Jackie Saundercock) add pops of colour while carefully representing each character.

The cast brings so much passion and heart. Rebecca Lock’s Caz blows us away with her powerhouse vocals and remains endearing despite the relatively thin material. Blake Patrick Anderson’s Robbie and Ben Darcy’s Ben command the stage in their smaller but no less arresting roles, showcasing effortless tenor voices to boot. River Medway gives a stunning performance as Jem, deservedly stopping the show. Rosie Singha gives her shy girl next door, Neeta, some welcome vocal power. Albert Green cuts through the chorus with some fantastically sharp dancing.

‘Here & Now, the Steps Musical’ is unapologetically itself and dares us to follow suit. Though the plot and characters are a little flimsy, the knockout performances, irreverent self-awareness, laugh-out-loud moments and driving score will have you dancing in the (supermarket) aisles!



HERE AND NOW

Manchester Opera House then UK Tour continues

Reviewed on 4th September 2025

by Hannah Bothelton

Photography by Pamela Raith


 

Recently reviewed by Hannah:

EMERALD STORM | ★★★★ | EMERALD THEATRE | September 2025
THE PITCHFORK DISNEY | ★★★★★ | KING’S HEAD THEATRE | September 2025
INTERVIEW | ★★★ | RIVERSIDE STUDIOS | August 2025
SENSE AND SENSIBILITY: THE MUSICAL | ★★★★ | ARCOLA THEATRE | August 2025
FICKLE EULOGY | ★★★ | HOPE THEATRE | August 2025
THE GREAT GATSBY | ★★ | OVO AT THE ROMAN THEATRE | August 2025
JANE EYRE | ★★★★★ | ARCOLA THEATRE | August 2025
SAVING MOZART | ★★★★ | THE OTHER PALACE | August 2025

 

 

HERE AND NOW

HERE AND NOW

HERE AND NOW