Tag Archives: Marcus Rice

MOST FAVOURED

★★★½

Soho Theatre

MOST FAVOURED

Soho Theatre

★★★½

“this slick two hander pulses with life”

‘Most Favoured’ breathes new life into the Christmas story with a fresh, funny and heartfelt take on a cornerstone of Christianity. With a stellar cast and staging, it offers audiences a vibrant alternative to the usual festive fare.

Mary’s hiding a secret. Enter Mike, a clueless US tourist obsessed with KFC. After a whirlwind one-night stand, Mary lets her guard down… only to discover Mike has a secret too.

Written by award winning playwright David Ireland, ‘Most Favoured’ is an offbeat spin on a familiar story. Ireland makes striking use of contrasts: the oversharing Mary is set against the taciturn Mike, with rapid fire exchanges cleverly offset by silence. There are shrewd dynamic shifts, each character leaving the other speechless, and we power through a kaleidoscope of emotions in record time. Yet the twist proves predictable and the dialogue thereafter takes on overtly religious tones, losing some of its earlier sparkle and thinning the plot. The ironic finale – complete with a hilarious callback – lands with mischievous flair, though feels slightly misplaced after the devotional detour. Still, this is an entertaining spin that brings the story bang up to date.

Directed by Max Elton, Literary Associate Director at Soho Theatre, this slick two hander pulses with life. Staged as a single scene, the production sustains momentum through varied use of space and natural blocking. The contrasting characters are vividly realised, with nuanced reactions and expressive detail revealing inner worlds. The pacing is strong overall, though a few pregnant pauses could be trimmed. Still, shifts in tempo add texture and help us forget we’re in the same hotel room.

Ceci Calf’s set and costume design is spot on. The set convincingly evokes a well-known chain of budget hotels, complete with a witty window gag. The costumes are very on brand for each character, especially the use of colour which the clothes on the floor don’t immediately give away.

Amy Daniels’ lighting design is understated yet effective, lending the production a naturalistic feel. The closing fade, paired with a tongue in cheek reveal, provides a witty final flourish.

Marcus Rice’s sound design is pared back but intentional, using music sparingly for maximum impact. Naturalistic effects such as the shower are deployed with precision, adding just enough texture to bring the scene to life.

The cast is superb. Lauren Lyle – two-time BAFTA Scotland award winner – humanises Mary with gritty allure. Lyle deftly balances feistiness with tender vulnerability, her facial expressions effortlessly charting hope, betrayal and hurt with skill. Alexander Arnold, best known for roles in ‘Skins’ and ‘Yesterday’, is a quirky yet endearing Mike. Arnold’s deadpan reactions counter Lyle’s heightened energy, while sly comic beats – such as repeatedly eyeing the KFC during an impassioned speech from Mary – showcase his timing. Together, the pair make a charming oddball couple, delivering a masterclass in the art of showing rather than telling.

‘Most Favoured’ is a quirky, witty Christmas romp with a heart of gold. While the writing feels like a tale of two halves, the assured delivery maintains momentum, making this an engaging and entertaining seasonal show.



MOST FAVOURED

Soho Theatre

Reviewed on 15th December 2025

by Hannah Bothelton

Photography by Danny Kaan


 

 

 

 

MOST FAVOURED

MOST FAVOURED

MOST FAVOURED

Awkward Conversations With Animals
★★★★

King’s Head Theatre

Awkward Conversations With Animals

Awkward Conversations With Animals I’ve F*cked

King’s Head Theatre

Reviewed – 16th April 2019

★★★★

 

“Karp is utterly convincing, and his journey from shy awkwardness to desperate loneliness is actually quite heart-breaking”

 

It does exactly what it says on the tin. Four funny, frank and – yes – awkward conversations between one man and the animals he’s fucked. Or been fucked by. Or wants to fuck. Rob Hayes’ unsettling script had the audience in stitches, and with a stellar solo performance by Linus Karp, this show proves to be a hit.

Each scene cleverly keeps the audience guessing who, or more accurately, what Bobby is talking to. Moving from his bedroom, to a hotel, to the cold woods, Bobby sits on the fringes of society. Anxiously avoiding the police and any interference from the outside world, he is an enigmatic figure just trying to connect to… something. Hayes has given us an extreme (and illegal?) position, but anyone whose sexual preference extends beyond monogamous heterosexuality will see something of themselves in Bobby.

Linus Karp as Bobby is genuinely hilarious, an awkward cross between Michael Cera and Max von Sydow. Deftly handling the script like he’s making it up on the spot, Karp is utterly convincing, and his journey from shy awkwardness to desperate loneliness is actually quite heart-breaking. Katherine Armitage has directed her actor effectively, ensuring an acute sense of space and making sure each scene has a completely different tone. Amanda Ljunggren’s design suggests a young, messy, confused man surrounded by IKEA furniture and animal memorabilia. A large wooden bed dominates the stage and is craftily used for a change of scenery in the final scene. Marcus Rice’s music could have played a larger role in scene changes to create a greater sense of atmosphere but was otherwise quite pleasant.

Karp keeps things light however, no matter the dark subject matter. Bobby is never a predator – he’s just a boy struggling with his sexuality. The closest companion to Hayes’ script is Lars von Trier’s 2013 film ‘Nymphomaniac’ (albeit with more laughs). “Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonising,” says Joe in Volume II. We feel for Bobby, despite our best efforts. But this play makes you laugh before making you think. As squeals of disgust and barks of laughter filled the auditorium though, I couldn’t help wondering: aren’t we all just animals anyway?

 

Reviewed by Joseph Prestwich

Photography by Simon J Webb

 


Awkward Conversations With Animals I’ve F*cked

King’s Head Theatre until 27th April

 

Related articles:
A Walk in the Woods With Linus Karp

 

Last ten shows reviewed at this venue:
Brexit | ★★★★★ | November 2018
Buttons: A Cinderella Story | ★★★★ | November 2018
Momma Golda | ★★★ | November 2018
The Crumple Zone | ★★ | November 2018
Outlying Islands | ★★★★ | January 2019
Carmen | ★★★★ | February 2019
Timpson: The Musical | ★★★ | February 2019
The Crown Dual | ★★★★ | March 2019
Undetectable | ★★★★ | March 2019
Unsung | ★★★½ | April 2019

 

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