Tag Archives: Moi Tran

WHY AM I SO SINGLE?

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Garrick Theatre

WHY AM I SO SINGLE? at the Garrick Theatre

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“an incredibly fun, comedic and beautifully heart-warming show that everyone can enjoy”

Toby Marlow and Lucy Moss’s β€˜Why am I So Single?’ debuts in the West End, following the writers’ extremely successful β€˜Six’. This new musical cleverly follows a meta portrayal of the pair exploring the issues of their love life and by proxy their own personal issues. The two best friends – under the pseudonyms β€˜Nancy’ and β€˜Oliver’ – sit in Oliver’s flat after being given the task of writing their next big fancy musical, and after various discussions of their failed dates decide that’s what the musical should be about. Through the medium of many a big fancy musical number, the conclusion of their failed love lives is far more heart-warming than one would expect.

The show opens with its meta framing of the narrative, with the writers talking to us directly through the characters. They state that all stories in the show are based on true events but with all people given different names. Set designer Moi Tran and costume designer Max Johns deserve so much credit for the way the stage moves from having literal set pieces and then ensemble actors seemingly transition to replace them. This was extremely enjoyable to watch and added a lot of fantastic comedic elements – my favourite being whenever the leads interacted with the human rubbish bin. The whole design of the show makes you feel like you’re at a party throughout – with the lighting (Jai Morjaria) primarily being a mix of pink and purple washes that change in time with the music.

The performances throughout the show are stellar and every single cast member is extremely committed. The ensemble shine throughout in both their musical and comedic performances. A mention has to go to Noah Thomas who plays Artie – an extremely strong performance that showed care and empathy for the leads while also telling them the truth when they need to hear it. One of his numbers is also a fantastic tap routine and a great tap routine is always a pleasure to watch. But, of course, the stars of the show are Jo Foster as Oliver and Leesa Tulley as Nancy. Both are incredibly powerful artists and were a pleasure to watch on stage. Foster particularly shines in the number β€˜Disco Ball’, where they really are giving the audience everything and it’s such a privilege to be able to see such beautiful vulnerability on stage. Tulley’s performance also shows off her incredible vocal range and talent, and her solo β€˜Lost’ brought many people in the audience to tears.

One of my favourite numbers was β€˜Meet Market’ – not only a great song with fantastic routines on stage, but also great commentary on the dehumanising nature of dating apps. There were some songs that I felt weren’t necessary and took focus away from the main plotline. The main one I took issue with was a song about a bee, which seemingly is only in the show for the sake of one word play based joke. Unfortunate because two and a half hours already feels quite long for this show, so when the number played at the end of Act 1, I did begin to get quite restless.

β€˜Why am I So Single?’ is an incredibly fun, comedic and beautifully heart-warming show that everyone can enjoy. Musical theatre millennial fans will particularly enjoy the many show references and referrals to Friends. And with the West End musical scene sticking with its theme of even more movie musicals, it’s great to see something new and fresh bringing heart and soul into the theatre.


WHY AM I SO SINGLE? at the Garrick Theatre

Reviewed on 10th September 2024

by David Robinson

Photography by Danny Kaan

 

 

 

 

Previously reviewed at this venue:

BOYS FROM THE BLACKSTUFF | β˜…β˜…β˜… | June 2024
FOR BLACK BOYS … | β˜…β˜…β˜…β˜… | March 2024
HAMNET | β˜…β˜…β˜… | October 2023
THE CROWN JEWELS | β˜…β˜…β˜… | August 2023
ORLANDO | β˜…β˜…β˜…β˜… | December 2022
MYRA DUBOIS: DEAD FUNNY | β˜…β˜…β˜…β˜… | September 2021

WHY AM I SO SINGLE?

WHY AM I SO SINGLE?

Click here to see our Recommended Shows page

 

Summer Rolls
β˜…β˜…β˜…Β½

Park Theatre

Summer Rolls

Summer Rolls

Park Theatre

Reviewed – 24th June 2019

β˜…β˜…β˜…Β½

 

“a seminal play about family, racism and history, brought to life by vivid and genuine performances across the cast”

 

Summer Rolls is the first British-Vietnamese play to be staged in the UK, and Park Theatre is its home. Written by Tuyen Do, the play explores racism, the impact of war, culture and community, through the lens of a single family across several decades. Mai’s parents and older brother escaped war-torn Vietnam at a time when Mai was too young to remember. Brought up in the UK, Mai resists the traditional values of her parents that tell her how should behave, what she should become and who she should marry. But she documents the shadows of her family’s scars and secrets – her father sleepwalking at night for example – through her camera, learning her history in stills. Performed across the Vietnamese and English languages, this is a play about the collision of two cultures.

The set by Moi Tran presents a traditional Vietnamese home, a kitchen station with chopsticks and fish sauce, two sewing machines, a radio that brings the politics of the outside world in. Mai and her black boyfriend seem to exist in contrast to this space, a reminder of the London culture that the family are living within.

The staging sometimes lets down the play, closing off the conversations to most of the audience. From a writing perspective, there is sometimes a clumsiness around delivery of the various revelations that shape the play, too sudden or conversely predictable. As a whole, the story has a fragmented feel to it, and the scenes do not move well between each other, lacking fluency at points. However the strength of individual scenes, and the characters and relationship created within them, still make this a very enjoyable evening.

Mai’s mother is sharp, funny and dedicated to her children. She is played in a standout performance by Linh-Dan Pham. Anna Nguyen and Keon Martial-Phillip are also particularly strong as the young couple, exploring London adolescence, sex and alcohol and art. The relationships between the characters feel consistently genuine, complex and tender.

This is a seminal play about family, racism and history, brought to life by vivid and genuine performances across the cast.

 

Reviewed by Amelia Brown

Photography by DantΓ© Kim

 

Summer Rolls

Park Theatre until 13th July

 

Previously reviewed at this venue:
Rosenbaum’s Rescue | β˜…β˜…β˜…β˜…β˜… | January 2019
The Dame | β˜…β˜…β˜…β˜… | January 2019
Gently Down The Stream | β˜…β˜…β˜…β˜…β˜… | February 2019
My Dad’s Gap Year | β˜…β˜…Β½ | February 2019
Cry Havoc | β˜…β˜… | March 2019
The Life I Lead | β˜…β˜…β˜… | March 2019
We’re Staying Right Here | β˜…β˜…β˜…β˜… | March 2019
Hell Yes I’m Tough Enough | β˜…β˜…Β½ | April 2019
Intra Muros | β˜… | April 2019
Napoli, Brooklyn | β˜…β˜…β˜…β˜… | June 2019

 

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