Tag Archives: Rufus Kampa

First Date

First Date

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Online

First Date

First Date

Online stream from Crazy Coqs

Reviewed – 22nd October 2020

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“the memorable songs and the impressive performances carry this funny and relatable take on the dating world”

 

The year is 2020, a pandemic has turned singletons everywhere horny (sound familiar?), and the musical ’First Date’ is here to find out if we can still believe in love!

In the Crazy Coqs bar we meet Aaron (Simon Lipkin) and Casey (Samantha Barks) on a blind date and setting eyes on each other for the first time. Queue a series of fantastically funny songs alighting on all the truisms of first dates from the friend you have lined up to fake an accident to the awkward pauses and who pays the cheque at the end of it all! The pair navigate small talk and their differences, to see whether this could be something. Our two daters are surrounded by a fantastic chorus who pop-up Grecian-esque as bartenders, exes, bad boys and even Google embodied!

The songs, written by Alan Zachary and Michael Weiner, are consistently brilliant. There are cabaret numbers, comedy numbers, ballads, duets and a lovely five-person opening. Accompanied by a live piano, the songs are well-written, well-sung and all great fun! The script (Austin Winsberg) between songs, however, is not up to the standard of the song writing at all. Whilst there’s some promise in there, it is overly long and slow, and needs some serious tightening up to meet the quality which is so evident in the lyric writing.

The cast are really strong, directed by Dean Johnson. They all boast fantastic voices, brought together with musical direction from John Winstone. Barks and Lipkin sing wonderfully, working hard on a slow script, although lacking in chemistry between them. Some favourite characters in the panopoly that the chorus play include Nick McLean’s Reggie and Danielle Steers’ dead grandma! The shining star of the whole show is Oscar Conlon-Morrey who is irresistibly funny in every role he plays: a feast to watch, even when he is just making comments during the internal (a lovely touch). I could’ve watch him all day.

Unfortunately the quality of the music and performers is let down by the audio (Matt Ide) and videography (Sam Diaz) quality, both of which are wildly inconsistent, so much so that they are disruptive to the piece*. The green screen backdrops are really fun and work really well, but in the space itself the lighting is bizarre and doesn’t respond to lighting changes mentioned in the script, silence buzzes, and it would be impossible to watch this through without regularly adjusting the volume up and down on your television or laptop. Given that it is presented like a film, it needs to have the basic production values of one. It is such a shame, given the quality of the actors and the material.

Production quality aside, the memorable songs and the impressive performances carry this funny and relatable take on the dating world.

 

Reviewed by Amelia Brown

Photography courtesy Lambert Jackson

 

* This show was reviewed on an advance link so sound and video quality may be improved on the released production

 


First Date

Online stream from Crazy Coqs

 

Last ten shows reviewed by Amelia:
Germ Free Adolescent | β˜…β˜…β˜…β˜… | The Bunker | October 2019
Before I Was A Bear | β˜…β˜…β˜…β˜…β˜… | The Bunker | November 2019
I Will Still Be Whole (When You Rip Me In Half) | β˜…β˜…β˜…β˜… | The Bunker | November 2019
My White Best Friend And Even More Letters Best Left Unsaid | β˜…β˜…β˜…β˜… | The Bunker | November 2019
Potted Panto | β˜…β˜…β˜…β˜… | Southwark Playhouse | December 2019
The Girl With Glitter in Her Eye | β˜…β˜…Β½ | The Bunker | January 2020
Essence | β˜…β˜…Β½ | The Vaults | February 2020
Flights | β˜…β˜…β˜…Β½ | Omnibus Theatre | February 2020
Maliphantworks3 | β˜…β˜…β˜…β˜…β˜… | The Coronet Theatre | February 2020
Globaleyes | β˜…β˜…β˜…β˜… | Online | September 2020

 

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The Secret Diary of Adrian Mole Aged 13 ΒΎ – The Musical
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Ambassadors Theatre

The Secret Diary of Adrian Mole Aged 13 ΒΎ - The Musical

The Secret Diary of Adrian Mole Aged 13 ΒΎ – The Musical

Ambassadors Theatre

Reviewed – 3rd July 2019

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“joyful, energetic and hilarious, with some moments of real tenderness and yearning”

 

I admit to being unsure if Sue Townsend’s geeky Mole would translate well as a piece of musical theatre, and I’m happy to say that my scepticism was unfounded. The show is joyful, energetic and hilarious, with some moments of real tenderness and yearning that bring a tear to the eye. It is a piece that truly reflects the time in which it was written and is set, the early 80s. There are lots of references that older audience members clearly enjoyed; Pebble Mill at One, Malcolm Muggeridge and, of course, the Royal Wedding. And it matters not at all that the younger ones don’t pick up on those moments; the lives of Adrian and his friends and family have plenty for everyone to relate to and enjoy.

The children’s parts are each played by a rotating cast of four. Adrian was played by Rufus Kampa this evening, and the huge applause and standing ovation he received were richly deserved. His Adrian had all the awkwardness and angst of Townsend’s much loved young teen, coping with his parent’s awful marriage and break up and discovering himself as an intellectual with a passion for the feisty, pretty new girl at school – Pandora. And Rebecca Nardin’s Pandora was pitch perfect; the flame that called to Adrian’s moth, sparkling, feisty and very funny. Her voice has a range and depth that are unusual in such a young performer, and she has a wonderful comedic instinct. Jeremiah Davan Waysome played Adrian’s friend, and rival for Pandora’s attention, Nigel with a lovely cheeky energy and the school bully, Barry, was made suitably odious by Jack Gale.

The adults in the cast also play children, and were clearly having a lot of fun doing so. The poignant moments between Adrian’s parents, Pauline and George, played by Amy Ellen Richardson and Andrew Langtree, were beautifully moving, and Richardson’s song β€˜Perfect Mother’ was so full of sadness and regret that it hurt. β€˜How Could You?’ a painful and powerful argument between Pauline and Grandma allowed both women to let rip with passion, a serious and intense moment, and a reflection of many such a confrontation from the real world. Rosemary Ashe’s Grandma is, by turns, fun, interfering and helpful to Adrian and his Dad, and she brings verve and a fabulous voice to the role. Ian Talbot gave a good turn as the grumpy communist Bert and Laura Denning clearly relishes hamming it up to just the right degree as Miss Elf and Doreen Slater. The final member of the adult cast is John Hopkins, and he somehow managed to strut, bluster and give a storming performance that was always just on the right side of overacting. His vile Mr Scruton, the headmaster, was a great, bombastic villain, and the sleazy lothario, Mr Lucas from next door, was just deliciously awful.

Jake Brunger and Pippa Cleary first wrote the book, music and lyrics in 2012, when they were β€˜a pair of naive twenty four year olds.’ They met Sue Townsend and she was so impressed that she sold them the rights for a pound. She was worried that the story may be dated but, as Brunger and Cleary explained to her; β€˜Despite the internet and mobile phones and all those terribly modern things, spots were still spots, school was still school, and boys still measured their things.” Director Luke Sheppard has translated their vision into a show that bounces with life and allows the early eighties to exist without trying to alter things for our contemporary sensibilities.

There is some inspired and very funny, choreography from Rebecca Howell and Mark Collins and the musicians do a great job with the score. The lighting design, by Howard Hudson, is unusual and effective and Tom Rogers’ set is an evocative, flexible home for the action. I found myself humming β€˜Misunderstood’ on the way to the tube. This show has some good tunes too! The Secret Diary of Adrian Mole Aged 13 ΒΎ – The Musical is an excellent adaptation vividly brought to life by an outstanding cast

 

Reviewed by Katre

Photography by Pamela Raith

 


The Secret Diary of Adrian Mole Aged 13 ΒΎ – The Musical

Ambassadors Theatre until 12th October

 

Last ten shows covered by this reviewer:
The Thread | β˜…β˜…Β½ | Sadler’s Wells Theatre | March 2019
Yamato – Passion | β˜…β˜…β˜…β˜…β˜… | Peacock Theatre | March 2019
Hell Yes I’m Tough Enough | β˜…β˜…Β½ | Park Theatre | April 2019
Little Miss Sunshine | β˜…β˜…β˜…β˜…β˜… | Arcola Theatre | April 2019
Man Of La Mancha | β˜…β˜…β˜…β˜… | London Coliseum | April 2019
Sh!t-Faced Shakespeare: The Taming Of The Shrew | β˜…β˜…β˜…β˜…β˜… | Leicester Square Theatre | April 2019
On Reflection | β˜…β˜…β˜…β˜…β˜… | Underbelly Festival Southbank | May 2019
Zara | β˜…β˜…β˜…β˜…β˜… | Geraldine Mary Harmsworth Park | May 2019
Elixir Extracts Festival: Company Of Elders | β˜…β˜…β˜…β˜…β˜… | Lilian Baylis Studio | June 2019
Napoli, Brooklyn | β˜…β˜…β˜…β˜… | Park Theatre | June 2019

 

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