Tag Archives: Matt Daw

Wasted – 3 Stars

Wasted

Wasted

Southwark Playhouse

Reviewed – 12th September 2018

★★★

“The punk ethic is there but not authentic enough to make us root for these supposed desperados”

 

There are many famous people who continue to live with us through their work, none of whom could have known how famous they would become posthumously. Artists such as Vincent Van Gogh and Johannes Vermeer, writers Franz Kafka, Edgar Allen Poe and John Keats, the Italian astronomer Galileo (who had to wait three centuries before his theories were accepted) and even J.S. Bach was little known in his own lifetime.

The creators of “Wasted”, the new musical at Southwark Playhouse, are adding the Brontë sisters to the canon, the title of which suggests that the three sisters and their often overlooked brother never achieved the recognition they sought nor found their true vocation. Hence, they believed their lives were ‘wasted’. We will never know if this was a real concern to the siblings two centuries ago, but the writers here drum home the imagined anxieties with a mixture of teenage angst and prophetic irony.

Part gig and part rock documentary, Christopher Ash’s music and Carl Miller’s book chart the struggles, frustrations and heartbreaks of Charlotte, Emily, Anne and their brother Branwell. A four-piece band form the backdrop while Libby Todd’s effective use of flight cases and sheet music create the set, reinforcing the rock theme. With hand held mics, the strong cast of four are the lead singers, imbued with a New Wave tension as they sing about being “stuck in this dump” and “we want to write”. The punk ethic is there but not authentic enough to make us root for these supposed desperados.

Although the narrative is often a touch too quaint to comfortably sit with the style of the songs, the cast do pull off the numbers with an anarchic self-possession. And you can detect a rock band’s politics permeating the foursome. Natasha Barnes’ Charlotte is pretty much the lead here; the strong contender in control, who goes onto a successful solo career. She does, after all, outlive her sisters. Siobhan Athwal gives Emily the tortured soul treatment; emotional and wayward while Molly Lynch, as Anne, is the quiet one who nevertheless is the one who comes across as the most interesting. Not to be outdone by this feminine trio, Matthew Jacobs Morgan holds his own and, even if historically Branwell fell by the wayside, Morgan certainly keeps up with the girls here.

All four sing exquisitely and they do wonders to shake off the dusty image of the Brontë family. The rock score reminds us how radical and visionary they were, yet the punch is weakened by stretching the point to its limit. And many of the songs are far too long, which does lessen the poignancy and the power of the material. Likewise, Adam Lenson’s dynamic direction is diluted in a show that does overrun its natural course. Some ruthless editing is needed for it to truly echo the characters who lived fast and died young.

 

Reviewed by Jonathan Evans

Photography by Helen Maybanks

 


Wasted

Southwark Playhouse until 6th October

 

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

 

The Rink – 4 Stars

Rink

The Rink

Southwark Playhouse

Reviewed – 29th May 2018

★★★★

“The action switches from past to present with alarming frequency but Adam Lenson’s polished direction never leaves us in any doubt as to where we are”

 

We’ve all had that moment, when having to pack up a room or leave a house; and each possession, as it gets boxed up, can transport us back in time. What should be a straightforward task becomes an extended stroll down memory lane. We know we are squandering hours that could be put to better use, but still relishing every moment. Kander and Ebb’s musical “The Rink” takes this as its central theme and has a similar effect: you feel as though you should be doing something more important yet, within minutes, you are absorbed and let yourself be swept along by the Proustian reminiscences of the lead characters.

Anna is the owner of a dilapidated roller skating rink on the boardwalk of a decaying seaside resort, who has decided to sell it to developers. Her plans are complicated when her estranged daughter, Angel, returns home after a seven-year absence seeking to reconnect with the people and places she left behind and to patch things up with her mother. Through a series of flashbacks and revelations, the two of them deal with their pasts in their attempt to reconcile and move on with their lives. The action switches from past to present with alarming frequency but Adam Lenson’s polished direction never leaves us in any doubt as to where we are.

There is a nod to Sondheim’s “Follies”, though with less depth. Terrence McNally’s book is a somewhat slim affair and so the onus needs to ride on Kander and Ebb’s score and the performances. Caroline O’Connor’s Anna (pronounced ‘Honour’, deliberately or not, in this version with the slightly overdone accents) is a powerhouse of a performance, slipping seamlessly from her acerbic dialogue into stirring song. Gemma Sutton is the perfect foil as the prodigal, rebellious daughter and, as her character’s name suggests, has the voice of an angel.

They both possess the wit and comic timing required for the roles, which is matched by the strong support of the male ensemble. Stewart Clarke is in remarkably fine voice as the wayward, absent husband and father figure, and Ross Dawes as the ‘voice-of-conscience’ grandfather is quite compelling – not to mention his show stopping moves on roller skates. The close-knit cast make Fabian Aloise’s innovative choreography seem easy. Accompanied by a seven-piece band (though sounding like a much fuller orchestra) they skate, dance, laugh, cry and sing through the magnificent, yet seldom revived score. Like the abandoned rink of the title, it has been neglected for too long and this return to the stage is a welcome reminder of Kander and Ebb’s magic.

 

Reviewed by Jonathan Evans

Photography by Darren Bell

 


The Rink

Southwark Playhouse until 23rd June

 

Related
Also by Kander & Ebb
Chicago | ★★★★ | Phoenix Theatre | April 2018

 

 

Click here to see more of our latest reviews on thespyinthestalls.com