Tag Archives: The Beauty Queen Of Leenane

The Beauty Queen Of Leenane

★★★★

The Tower Theatre

Beauty Queen Of Leenane

The Beauty Queen Of Leenane

The Tower Theatre

Reviewed – 7th November 2019

★★★★

 

“Waggott’s ability to balance frailty and seeming harmlessness with taloned cruelty is quite spectacular”

 

Martin McDonagh has made quite a name for himself in the past few years as a connoisseur of pitch-black humour and crooked characters. Whilst he’s become a household name for major screenplays such as In Bruges and Oscar-winning Three Billboards Outside Ebbing, Missouri, his ability to make an entire audience laugh at the most heinous crimes, and then to gasp at their own inhumanity, is showcased most spectacularly in the theatre.

Having climbed to such great heights as casting Jim Broadbent in the starring role of his most recent West End production, A Very Very Very Dark Matter, it’s quite a treat to go back to McDonagh’s first play and see where he began, and indeed where his twisted sense of humour and humanity first came to fruition.

At forty years old, Maureen (Julia Flatley) still lives with her seemingly ailing mother, Mag (Amanda Waggott), in Leenane, a small Irish village. Embittered by the cards she’s been dealt, Maureen spends her days snapping at her mother and telling her of her fantasies of finding her corpse on the kitchen table. Mag seems little concerned by her daughter’s misery and isolation, and appears to want her to stay forever, regardless.

But at a party at the neighbours’, Maureen reconnects with an old crush, the neighbours’ son Pato (Nick Cannon), and she dares to wonder that there might be a way out of her miserable and lonely existence after all. That is if her mother doesn’t have anything to say on the matter.

The set (Philip Ley) is detailed but traditional, allowing the psychological gymnastics of the script, rather than an overly complex design, to do the talking. The entire story takes place in Maureen and Mag’s kitchen-living room, the room in which they spend the majority of their days, and you can feel the sense of crushing claustrophobia by which Maureen is tormented, and which Mag depends upon, like a crusty old corset.

Waggott’s ability to balance frailty and seeming harmlessness with taloned cruelty is quite spectacular, and Flatley is an equally armed adversary. There’s a natural desire to find the villain in this story, but both are so twisted and yet so tormented, it’s impossible to pick a side.

In stark contrast, Cannon’s open-faced, sweet nature seems completely foreign in this household. Bringing a little levity to the plot, he’s a pleasant reminder that this room isn’t the whole world, and that not everyone is full of rancor and vitriol.

Simon Brooke, playing Pato’s petulant younger brother, is plenty energetic, but he could do with toning it down a tiny bit, just so that when he’s really losing his patience, or being especially sulky, we can tell.

For the first half, I don’t know that I saw much of what I have come to recognise as McDonagh hallmarks, but as the story unravels, so too does the web of miseries and mishaps, and, most disquietingly, somehow we’re laughing at it all. The Beauty Queen of Leenane, as directed by Colette Dockery, is perhaps more subtle than his most recent works, but it is just as disturbingly sadistic, and perniciously potent.

 

Reviewed by Miriam Sallon

Photography by Robert Piwko

 


The Beauty Queen Of Leenane

The Tower Theatre until 16th November

 

Previously reviewed at this venue:
To Kill a Mockingbird | ★★★½ | October 2018
Table | ★★★★ | November 2018
The Seagull | ★★★ | November 2018
Talk Radio | ★★★½ | March 2019
Happy Days | ★★★★★ | April 2019
Little Light | ★★★ | June 2019

 

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The Beauty Queen Of Leenane

★★★★

Queen’s Theatre Hornchurch

The Beauty Queen Of Leenane

The Beauty Queen Of Leenane

Queen’s Theatre Hornchurch

Reviewed – 31st October 2019

★★★★

 

“From the banal domesticity of the outset, Mark Babych’s direction creates an atmosphere of eerie foreboding”

 

As the rain pours down on an isolated cottage in the hills of Connemara, the fate of 40-year-old Maureen who lives with her mother, Mag, unravels in a compelling story of bitterness, hope and disillusion. Their hardened relationship of resentful co-dependence is threatened when an old friend, Pato, turns up unexpectedly and offers Maureen a new life. Refusing to be abandoned by her one constancy, Mag has no qualms about trying to prevent her daughter from leaving, but with drastic repercussions.

Martin McDonagh’s first play and part of the ‘Leenane Trilogy’, ‘The Beauty Queen of Leenane’, was his theatrical breakthrough in 1996. Inspired by the life and language he was immersed in during childhood summers in his father’s hometown, it is a masterpiece of plot and role enmeshment. The tragicomedy flows naturally from the Irish idiom and spirit, describing the trials and tribulations of a bleak existence but with a sharp, funny edge. From the banal domesticity of the outset, Mark Babych’s direction creates an atmosphere of eerie foreboding, the stifling timelessness of confinement is contrasted with the breezy dream of escape. This is reinforced in Sara Perks’ creative, detailed set, with the thick, cut-down walls revealing the wide, open sky, and Jess Addinall’s dramatic lighting design.

As the conversations develop, the layers are peeled back to reveal the complex balance of close-knit families, each very different person irrevocably bonded by the past. Maggie McCarthy is an unnervingly sinister Mag, swaying from needy elderly mother to remorseless manipulator. The charming yet sensitive Pato is played by Nicholas Boulton, with a genuinely moving show of affection for Maureen but, as the hidden conflicts of her character gradually surface she becomes ever more challenging; in an impassioned performance by Siobhan O’Kelly, Maureen faces the reality of the life she leads. Laurence Pybus is excellent as Pato’s slow-witted yet coltish brother, Ray, whose restless chatter and behaviour appears both comic and disturbing.

This production, in collaboration with Hull Truck Theatre, re-establishes the roots of McDonagh’s talent for dark comedy and reflects his innate feeling for the film genre which he successfully moved into later. The immaculate set and lighting have a cinematic quality and the direction, particularly at the end, draws on this. It is only at the culminating point that we lose connection due to the distance from the stage and the moment is not as chilling as it could be. In addition, the music and sound by Adam McCready, which generally fit this style, occasionally come across – particularly between scenes – quite oversized for such an intimate atmosphere. With accomplished, subtly powerful acting ‘The Beauty Queen of Leenane’ hooks the audience into the corrosive, emotional entanglement with suspense and engaging wit.

 

Reviewed by Joanna Hetherington

Photography by Ian Hodgson

 


The Beauty Queen Of Leenane

Queen’s Theatre Hornchurch until 16th November

 

Previously reviewed at this venue:
Rope | ★★★★ | February 2018
The Game of Love and Chai | ★★★ | April 2018
Priscilla, Queen of the Desert | ★★★ | May 2018
Abi | ★★★★ | September 2018
Abigail’s Party | ★★★½ | September 2018
Once | ★★★★★ | October 2018
Haunting Julia | ★★ | November 2018
The Hired Man | ★★★ | April 2019
As You Like It | ★★★★ | August 2019

 

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